Showing posts with label Judy Ervin. Show all posts
Showing posts with label Judy Ervin. Show all posts

Monday, February 15, 2021

"Blansky's Beauties," Episodes Two Through Five


"Blansky for the Defense" aired on February 19, 1977.  A few things of note:
  • We learn a little about Joey and Nancy's backstories, including that Joey hopes to break into show biz, so I guess that runs in the family.
  • Joey does some acrobatic flips at the custody hearing, because you know, Garry figured that's what Eddie should do.
  • The combined writing talents of LAS's Judy Pioli, Marc Sotkin, and Chris Thompson still can't make me laugh at this series.  Not even with Jerry Paris borrowed from Happy Days for the time being.
"Nancy's Cover-Up" aired on February 26th (except IMDB has it as the fourth episode).  Here's what I can tell you about it:
  • In the girls' opening intro, Arnold Takahashi "from Miami Beach, Florida" pops up!  This is about four months after the last episode Mr. T and Tina (nothing to do with the later famous Mr. T).  How does Pat Morita's crossover character fit in?  Well, he's a fry cook at his own coffee shop.  (And apparently also lives in Nancy's apartment building.)  I have no idea what he's been doing in the dozenish years since his last canonical appearance on Happy Days, Season Eleven, in 1983.  (Yes, it hurt my brain to type that.)  He's still trilingual (English, Chinese, and Japanese).
  • A sample of the writing on this series, the British Beauty observes, "Such a pity this country outlawed flogging."
  • How desperate is this show that they bring on a live camel this early in the run?  Or that they promise that the girls might go topless?
  • The word "kinky" is used no less than six times (including in Nancy's line "I want the world to know that Nancy Blansky is kinky"), which seems like a lot for a Garry Marshall show.
"Nancy's Magic Moment" aired on March 12th (except IMDB has it as the third episode).  Here's more than you ever wanted to know about it:
  • Well, they're getting their money's worth out of the camel at least, including in the French Foreign Legion number.
  • "Ministers applauding a stripper?"  And the surprise there is what?
  • They're not very consistent about how many "Beauties" Nancy manages, since it seemed to be ten and then twelve and now it's thirteen.  Or maybe she keeps hiring new ones to represent more of the United States.  (One girl is named "Arkansas," while one is, shudder, "Cochise.")
  • No, wait, one of the baker's dozen of coffee orders is for the comic-relief dog, Blackjack.
  • They lock the magician's assistant in a closet for one of their nutty schemes, and I'm so exhausted from being outraged by Scott Baio's character's pubescent predatory behavior, I can't manage more than a head-shake at that.
  • You might've thought it was physically impossible for 4'11" Nancy Walker to dip 6'5" Herb Edelman for a kiss, but you'd be wrong.
  • King Tut reference, didn't they realize that that would date the series in syndication?
  • LAS writers Tony DiMarco and David Ketchum wrote this episode.
"Nancy Goes Sheik" aired on March 19th.  Stuff about this one:
  • They seem to vary the girls' introductions each episode, which with much sharper writing would've been neat.
  • Joey is a lot shyer with women than his cousin Carmine is, or for that matter than his kid brother, "who turns everything into smut."
  • They use the word "noogie" on this series a lot.
  • Picture this said as suggestively as possible, "I can't wait to meet Sheik Ben-Ali.  I bet I could make his carpet fly."
  • Well, there's a crossover I wasn't expecting.  Fred Fox, Jr., who would be Freddie the Bellhop on the "Fabian" episode of LAS that Fall, and Freddie on HD in '79, here plays Marvin the Bellhop for the first of two times.  He'd already written the LAS/HD crossover episode "Excuse Me, May I Cut In" and had recently started his run of twenty-nine HD scripts, all the way into Season Eleven.  Anyway, under the Blansky Law of Relativity, I'm going to assume that Marvin is Freddie's younger cousin.
  • Bambi apparently does make the sheik's carpet fly, because he holds her captive so she can become his 33rd wife.  Hilarious, right?
  • Nancy gets a "magic lantern" as an apology gift from the sheik after she helps Bambi escape by donning a Farrah wig (don't ask), and Nancy wishes for Rock Hudson.  Oh, Honey, no.
  • Arnold Kane didn't write any other Blansky episodes, but he doesn't seem to have settled at any sitcom for long.  But then this is the worst episode so far, like a D or D+ rather than the C- I might give the first four episodes, if I were grading them.
Episodes Six and Seven, "Anthony Falls in Love" (with Bambi) and "Nancy Meets Francie" (Sunshine's mother) did not make it onto this disc, so I can't share any "goodies" from them.  Next up, the coveted "Nancy Meets Laverne"!

Monday, February 24, 2020

"The Baby Show"

Image result for "The Baby Show" laverne
Just a thought: couldn't Laverne have claimed to
be, say, three months pregnant?  Who would know?
"The Baby Show"
January 18, 1983
C

Judy Pioli's last L & S script is OK I guess, especially for Season Eight, but when it gets to the point of a divorced Sgt. Plout giving birth on top of a coffin, you know that any resemblance to reality (even sitcom reality) has long been abandoned.  Still, any episode that jokes that a baby looks like Squiggy is going to make me smile.  Oh, and I'm not sure if Alvinia having to bathe a pig doll is a reference to the L & S cartoon, but I'm going to assume it is.

Besides Lawrence's farewell to L & S, this is the last bow for other repeat guest stars.  Timothy Blake's third and final role on the show is Gail, Neil Thompson's fourth and final is the Funeral Director, William Sumper's fifth and final is Morry, and Lynne Marie Stewart's seventh and final is Marsha.

Monday, February 17, 2020

"The Note"

I'd bet $100 that this was part of the one of the school sets for The Brady Bunch.
"The Note"
October 19, 1982
B-

I like this episode, too, the penultimate one written by Judy Ervin Pioli.  It offers a nice blend of humor and sentiment, with a sense of history that a writer less familiar with these characters probably couldn't have managed.  That said, it is the first episode without Shirley, so it's got a bittersweet feeling.

I literally got chills watching the opening credits, like I'd been slapped across the face with a time machine.  When the multi-ethnic group of children marched across the screen chanting the girls' rhyme, it all came back to me, that initial jolt of What??? in October of '82.  Then Laverne was dancing by herself, doing a bunch of stuff from earlier seasons by herself, while the lyrics were still in the plural, while Shirley was still in the title.  The rest of the cast do appear later, with and without her, but it was a shock to the system, then and now.

And there were lines I remembered, like Squiggy's tasteless one about "incense."  I vaguely remember the plot that Shirley's left, with a short, impersonal goodbye note.  Laverne is hurt and angry.  Her friends, who are apparently of the "if your dog dies, get a puppy" school of mourning, send over potential roommates.  But only when Laverne finds the rest of the note, a couple pages' worth, can she move on, honoring nineteen years of best-friendship, ten years of living together.

And the episode sends out random romantic signals like ships that are lost at sea.  Squiggy pursues Rhonda (of course), Lenny pursues Rhonda (more surprising, but not totally new), Frank doesn't pursue Rhonda (thank God).  Lenny wants to dance with Laverne but she chooses Carmine.  Squiggy suggests (with Lenny's full approval naturally) that Laverne move in across the hall.  And the Lavmine ship is teased but more subtly than when Shirley was actually around.  Yet, Shirley wrote about Carmine in her P.S., something Laverne couldn't share with her father, the boys, or Rhonda.

Not shippy per se, but the reveal that Lenny has been telling Squiggy an installment of a bedtime story every night for eight years certainly shows some devotion.  (Note that Lenny has broken out the Bullwinkle pajamas from "Road to Burbank," so he does actually own them and they weren't just a product of Squiggy's imagination.)

The casting of Laverne's potential roommates is interesting.  Julie Brown returns, this time as Patti.  Penny's sister, Ronny Hallin, plays the Laverne-like Maxine.  (Yes, there's an Andrews Sisters joke.)  Bag Lady Kathryn Fuller was Ernestine at the Vegas wedding chapel.  And frequent director Tom Trbovich plays Tom.  (This episode's director, Gabrielle Alice James, wouldn't do any other directing.)

Sunday, February 9, 2020

"Ski Show"

Image result for "Ski Show" laverne"Ski Show"
February 23, 1982
C+

Foster is the funniest part of this episode, written by Judy Pioli and Marc Sotkin, as Frank explains how he used to "ski" as a kid in Brooklyn.  The rest of it is pretty much a standard "ski show" for a sitcom, although we do see not just Laverne but Shirley kiss someone she just met, quite a change from the Shirley of the early seasons (although not the pre-show Shirley of course).

Note that Laverne is still 28 and Frank is 56.  (Foster was pushing 70 and would be dead in three and a half years.)

"Whatever Happened to the Class of '56?"

"Whatever Happened to the Class of '56?"*
Image result for "Whatever Happened to the Class of '56?" laverneFebruary 16, 1982
C+

Even though this gathers a few of the girls' classmates that we saw in earlier seasons, I don't feel like much is done with the long-awaited reunion.  Paul Willson returns as "Eraserhead" and apparently now has a wife or girlfriend who dresses like him.  Carole White is again Rosie Greenbaum, still brash, redheaded, and over-dressed, but she surprises Laverne by acting nice, at least at first.  Judy (Ervin) Pioli reprises her role as Terry Buttafuco (now with one C), but she's been retconned to have weighed 400 pounds the last time the girls saw her, when it was more that she was tall and a bit butch.

Ervin's sometime writing partner Paula A. Roth apparently had to explain yet another Lenny & Squiggy absence (I'm not sure if McKean was yet filming Spinal Tap, but that may've impacted scheduling), so we're told that the boys aren't going because they didn't go to graduation.  And then it turns out that they lied about the girls and Carmine being "famous," apparently in ways that no one has actually seen.  I can't help thinking that if Lenny and Squiggy were in the episode, there would be a better pay-off, and more complexity to Laverne and Carmine embracing the lie and Shirley wanting to tell the truth.  The message in the end is that everyone wants to look successful at a reunion, but I believe that this was handled much better in "It Only Hurts When I Breathe" at the beginning of the season.

Lynn Marie Stewart's seventh and final role on the show is as Marsha.


*Amusingly, this apparently was the title of a 1980 episode of Little House on the Prairie, as in 1856.  The phrasing I believe is a variation on the popular 1976 book What Really Happened to the Class of '65? by Michael Medved (yes, him) and David Wallechinsky.

Monday, January 27, 2020

"The Defiant One"

Image result for "The Defiant One" laverne""The Defiant One"
November 17, 1981
C+

This episode, written by Judy Ervin, starts with a sleeping Laverne practically making out with a Worker (played by Archie Hahn, who was Bob four years earlier) who's trying to repair a bench.  But the episode is mostly about Shirley getting swept up into a bank robbery and having to escape because she's handcuffed to the leader, Louis Armstrong (played by Moll).  Frank helps defeat Louis, with a toaster.

I have to note that although this is set in '66, the alley is full of later-'60s slogans, like "Make Love," "Stop the War," and "Pigs."  And for some reason, circus posters.

Friday, December 27, 2019

"Take Two, They're Small"

Image result for laverne and shirley take two they're small
Laverne's date of course admires her long legs.
"Take Two, They're Small"
November 22, 1979
C+

In this Judy Pioli* & Paula A. Roth story, the boys set up a computer-dating service and set up the girls with midgets, sorry, little people.  It's an odd story, but still better than the previous episode.

Bruce Kimmel, who previously was Scott, is Mr. Eddie the Organist here.


*It looks like Judy got divorced at some point in '79, since her "Shotgun Wedding" credit is for "Judy Pioli Ervin," but starting this episode it becomes Judy Pioli.  (IMDB says she's the mother of writer Jason Ervin, but her only spouse there is Tony Askins, question mark to present.)  I'll keep the tag as Judy Ervin though.

"We're in the Army Now"

Image result for "We're in the Army Now" laverne
She'll be back, yay?
"We're in the Army Now"
November 15, 1979
C

This Franklin & Ervin story shows that the series was trying to mix things up in the sense of keeping them fresh, but I'm afraid that this one-hour special mixes them up in the sense of not getting what makes the series work.  The girls have been at Shotz for five years with no promotion, a company record, while the boys have been promoted from truck drivers to semi-truck drivers, because they're "semi good."  The girls decide to join the Army, even though Shirley describes herself as nonviolent.  (We even see her with a daisy in her gun barrel, like it's the late '60s rather than the early '60s.)  They screw things up and then succeed too well, so that they have to try for a Section Eight to get out.  Luckily, they can now go into the Reserves (like Lenny, although it's not mentioned).

They at first have a pushover sergeant, but then they meet Sgt. Alvinia T. Plout.  I generally like Vicki Lawrence and she's certainly giving it her all.  Unfortunately, she hasn't really been given anything funny to do.  The highlight of the episode is of course when the boys, eager to help get the girls out of their uniforms (cue the leering and hand-biting), bring in a "Trojan Horse" that looks like a Shetland pony.  I just don't understand why, even for a one-hour special, the girls would be taken away from their able supporting cast, and into a hackneyed situation. 

Now, I can take or leave Army comedies.  I enjoyed the sitcoms Bilko and of course M*A*S*H, and I recently found Biloxi Blues better than expected, but I don't feel like Franklin & Ervin do anything fresh here.  It's as if just putting Laverne & Shirley in the Army is supposed to automatically make us laugh, but it didn't work for me then or now.  In fact, I remember being less than thrilled at 13 to see that this episode inspired the Laverne & Shirley cartoon, although there their sergeant was a pig.  (OK, voiced by Ron "Horshack" Palillo, but even so.)  I guess I can just be glad that the regular series didn't stay in the Army.

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The Blue Team contains, among others, Susan Barnes, Joie Magidow and Ruth Silveira, who previously were Adele Harrison, Fish Trainer, and Karen respectively, while Frances Peach of the Red Team was Mary before.  Doris Hess was Dolores and is Sgt. Shannon here, while Julia Payne was Charmayne and is Colonel Turner here.

"Bad Girls"

Image result for "Bad Girls" laverne
"Bad Girls"
November 8, 1979
B-

Barry Rubinowitz wrote this episode where the girls help Mrs. Babish's teenage niece join their old group the Angora Debs (and we get another rendition of the song), but it turns out to be more of a gang now, given to stealing and vandalism.  This episode contains kittens, more Sea Hunt references and of course Lenny and Squiggy in drag.

Uh, yeah, about that.  So first of all, '70s drag for laughs, it's a definite thing on ABC sitcoms.  We already had Laverne and Shirley in Lenny and Squiggy's clothes and I suspect that Squiggy is in one of Shirley's outfits since they're about the same size.  Lenny is more obviously wearing at least Laverne's top, since it's got an L on it.  Generally, this sort of thing hasn't aged well, although it's not bad here until the tag, when the girls joke that the guys are teases for leading "big spender" sailors on and now have to "face the music."  The "half-ladies" seem perfectly comfortable in drag, but I assume we're meant to chalk this up to their general perversion and weirdness, as well as a sort of innocence that even Squiggy has, not pre-sexual but not fully mature either.  Obviously, no one was meant to analyze this at the time, and you can tell that the makers of the show are just having fun, as in the credit card at the end for "Lenore" and "Squendelyn."  (Bizarrely, there's a 1983 episode where Squiggy's sister visits, and she's named Squendelyn, and I'll try to figure out the canonical explanation for that when we get there.)

Judy Ervin returns as Terry Buttafucco, who we learn (or relearn) works on the loading docks.   It feels a little odd to not have Big Rosie as one of the ex-Debs to show up, and I'm pretty sure Terry wasn't a member before, but oh well, retcon.  This time Tracy Reiner, now 15, plays Carole.  Elizabeth Daily, who's 18 here, would still look youthful enough to play Loryn in the movie Valley Girl four years later.

Sunday, December 15, 2019

"Shotgun Wedding: Part 2"

"Shotgun Wedding: Part 2"
September 13, 1979
B-

So, ABC, in its infinite late-Carter-era wisdom, broke up their winning Tuesday night lineup, taking Laverne & Shirley  out (replaced by Angie, which I admittedly liked) and over to Thursdays at eight o'clock, which sent Mork & Mindy to Sundays, which....Sixth-grade was tough enough without my network loyalties being tested like this.  And yet, yes, I do vaguely recall both parts of the "shotgun wedding" from the time, and a crossover two-parter would've been enough for me to tune in almost 48 hours later, rather than just after these messages.*

Judy Ervin wrote Part Two and it is an improvement over Part One.  (Also, Lavenny shipper that she is, she has Lenny overhear the proposals and prevent the wedding.)  I was leaning towards a B until we got to Fonzie ex machina, at his own wedding!  As with the dance contest episode, I can see Ron Howard visibly perk up when give other material to work with and other characters to interact with, and Richie is especially fun to watch in his first scene in this episode with L & S, whether reacting to Laverne slapping him twice in the face with a dead fish ("You girls live in a rough world") or proposing to both girls in quick succession, and still willing to pose for shutterbug Laverne in the midst of explaining that he has to get married because he and the Fonz are in trouble.

The episode actually starts out with Al Delvecchio's "previously."  (Or is he perhaps Father Gucci from L & S's Season One, explaining what he learned in Confession later?)  We get scenes of the L & S gang settling into the campsite that Fonzie recommended, interspersed with Richie running, before he actually shows up, and presumably the warm-up guy back in July or August of '79 explained the set-up, but the studio audience is delighted to see Ron Howard enter.  The stuff with the regulars is fine, of course the part with Lenny and Squiggy, explaining their plans to use duck puppets to trap ducks for their duck circus, being the highlight.  In fact, Lenny peeks out of a "wigwam" and McKean gamely (sorry) does reaction shots with his puppet.  So at least the boys showing up with Carmine, Frank, and Edna later makes sense.

The girls agree to pretend to be engaged, and Richie leads them back to the farm.  Richie boosts the girls over the fence and Laverne warns, "Watch the hands, Cunningham."  As he and Shirley hold hands to look engaged, Laverne calls for Fonzie, who enters bound and on a donkey.  The girls and the guys plan to leave after announcing their engagements, but Helga and Inga challenge Laverne and Shirley to a square-dancing contest, with H & I's four female cousins as the other pairs.  Of course things get a little rough, but Laverne fights back and fights dirty, impressing Fonzie.

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The girls want to free the guys (Richie now has his hands tied, too) and leave, but the farmer says he's sent for a preacher, so the four of them will have to get married.  When we go to the next scene, Laverne is cheerfully thinking about the wedding night, especially since Fonzie is "real sexy and Italian."  Shirley now tries to look on the bright side, since Richie is a "college man" and "he probably keeps his room very tidy."

Laverne brings up Carmine, who early in the episode she said Shirley was lucky to have, since he was hauling everything out of the car and to the campsite.  Shirley says Carmine will understand, "and I'll explain things to Lori Beth."  Carmine will understand?  This is the same guy who (admittedly accidentally) hit her just for going to the opera with an older man!  As for Lori Beth, I'm fuzzy on this, but wasn't there an episode where Richie "cheated" on her and they had to start their relationship all over, including introductions?

Fonzie looks surprisingly calm and happy, but Richie requests, "Shirley, if our first baby's a girl, can we name her Lori Beth?"  She sensibly replies, "Richie, could we possibly talk about this some other time?"  (And again, we see more subtlety in the writing for her than we got on Part One.)

Laverne wants to know if she'll be known as "Mrs. Fonzie" and her groom tells her that "they're gonna call you the Fonzess," so she feels like she's marrying into royalty.

When the minister asks if there are any objections, Helga and Inga speak up but their father shushes them.  The minister asks the guys if they take Laverne and Shirley.  Richie answers first and solemnly says, "I do," to Shirley's delight.  Fonzie calmly says, "Me, too."  Laverne looks like she's thinking of the honeymoon again.

The minister asks if the girls take Fonzie and Richie.  Laverne nods eagerly and quickly says, "I do!", but Shirley makes a little speech out of her vows.

The minister is wrapping up when Lenny and Squiggy announce their arrival with duck calls.  The girls seem annoyed to be saved, and then the farmer shoots his shotgun, causing Lenny and Squiggy to flee for protection from Hilda and Inga.  (Squiggy and Hilda, the more brazen one, look particularly friendly for the next minute or so.)  Carmine, Frank, and Edna also arrive.  Frank doesn't want his daughter marrying without his permission, and Carmine feels the same about Shirley, who is impressed by his "forcefulness."

The farmer won't listen to any of the girls' friends, so Fonzie says he's tired of being polite and he breaks the ropes and takes the gun.  Couldn't he have done that an hour ago?  Why lead on poor Laverne with that "Fonzess" talk and all?


The Fonz recommends that the farmer take lessons from Mr. DeFazio on how to be a better father, dubious advice but they've got to resolve this somehow.  Fonzie frees Richie and everyone is happy, except the girls, who feel used and cheated out of a wedding.  They settle for a wedding photo, with everyone including the minister.  Laverne poses with her groom, but Carmine yanks Shirley away from Richie.  Yeah, I'm sure Carmine would've totally understood Shirley marrying another man.



*This is, I believe, the end of the HD/ L & S crossover saga.  At season's end, Richie would leave Happy Days for quite awhile, and the girls would soon find it difficult to return to Milwaukee, but I think it was also that that era, for Garry Marshall, for sitcoms, was coming to an end, just like the '70s were going to morph into the '80s.  We're not there yet, but this is an interesting last hoedown.

Tuesday, December 3, 2019

"Lenny's Crush"

"Lenny's Crush"
February 13, 1979
B+

Sit down, it's time for deep, penetrating analysis (and other innuendos)....

In 1979 it's the day before Valentine's Day, but in '61 it's already baseball season.  The gang (minus Edna) and a bunch of extras have gathered in the girls' apartment to prepare for "Shotz Day" at the Braves ballpark.  (The team would move from Milwaukee to Atlanta later in the '60s.)  Shirley is cranky, so Laverne sends everyone home.  Carmine tells "Angel Face" she's beautiful when she's cranky, but she denies being cranky.  And that's it for Shirmine, and Carmine, this episode.  As for Shirley, she goes to bed, still cranky and denying it.

Squiggy lingers with the Beehive Girl (still uncredited), telling her, "Keep drinking, it'll make it easier."  When Laverne makes them leave, Squiggy tells BG that they'll have the apartment to themselves, since his roommate won't be home tonight.  Then he tells Lenny not to come home.

Lenny asks Squiggy to see if she has a girl for him, but BG whispers to Squiggy that Lenny is a little too weird-looking, which Squiggy tells Lenny.  Laverne looks sympathetic.  Squiggy escorts BG out, saying he has a moth collection that will look great in her beehive.

Trying to cover up the hurt, Lenny asks Laverne if she needs a weird-looking guy to help her clean up.  She says he has a lot of things going for him, although it takes her awhile to come up with any.  She calls him a real sweet guy, which is what she said when he offered to marry her during her pregnancy scare.  She adds that he's even better-looking than Squiggy, which he's surprised by.

He asks why Squiggy is such a "San Juan" with women and she says that it's because Squiggy finds girls who like the same disgusting things that he does.  Then she has him sit down, which he does exactly the same way she does, putting one leg over the back of a chair.  She tells him he has to find a girl who likes the same things that he likes.  He says no girls like sports or monster movies, but she says some girls like both, especially her.

She takes his hand and leads him to the living room, then she turns and asks if any of what she's saying to him is getting through to him.  It is, but not how she thinks.  He tells her he thinks he's found someone, and she's happy for him.  He asks her to go to the baseball game with him the next afternoon, and she says everybody's going.

He gets his guitar and plans to sleep in the gutter, apparently not for the first time.  She pats his arm and says he can sleep on the couch.  He thanks her and says she talks real good.  She says he talks real good, too, especially when he doesn't spit.  She grips his arm and tells him to not forget that he's a real sweet guy.  She goes to give him a kiss on the cheek, but he turns his head so that it lands on his puckered lips.  She reacts like it's the usual thing of him trying to steal a kiss, although she's more amused than annoyed.  She tells him, "You don't kiss bad either."  He stares after her as the scene ends.
Image result for "lenny's crush"
The next morning, Shirley wanders into the living room in her full slip and doesn't immediately process that Lenny is there.  Then she hides behind the kitchen counter and accuses of him being there to see "half-naked women" and she imitates his wrist-biting.  He says he's outgrown that.

Shirley calls to Laverne, who yells back that she's shaving her legs.  Lenny sighs, "The voice of my beloved."  Shirley covers herself with a dishtowel and asks what Lenny is talking about.  He says he knows when he's been kissed and he and Laverne are "sort of a hot item."
SHIRLEY: The day you and Laverne are a hot item is the day that pigs fly.
LENNY: Better clear the runway, Shirl, 'cause there's a pork roast comin' in at twelve o'clock high.
She's understandably skeptical, and he admits that it's unbelievable, "but just when you least expect it, love walks through the door."  So of course Squiggy bursts in and angrily says, "Hello!"

He says he was "a worried stiff," thinking Lenny had been washed out of the gutters and to the waste disposal plant.  Lenny says he had himself quite a night last night, so of course Squiggy assumes something happened with scantily clad Shirley.  Squiggy says that he hopes that Lenny had a good time, and he sounds jealous.  Then he confides, "I could never get her clothes off."

Shirley proudly says that no man has ever had a good time with her.  Lenny tells Squiggy that Cupid's arrow got him and Laverne right between the eyeballs, and he points on his own head.  In case there were any doubts about where Squiggy is on the Lavennist Scale, he sincerely calls this great and terrific.  And then as he and Lenny are heading out, he asks, "How was she?"  Lenny innocently says, "Fine, yourself?"

Once the boys are gone, Shirley insists that Laverne come into the living room.  Laverne is annoyed that Shirley was using Laverne's razor to clean carrots again, and we can see lots of cuts on Laverne's legs.  Shirley tells Laverne she'll clot and she insists on knowing what went on with Lenny last night.  Laverne admits to "a quiet, gentle kiss, the kind you give a little baby's boom-boom."  Shirley says the kiss was enough to send Lenny "across the border into Loveland with" Laverne.  Laverne says that Lenny has always liked her a little.  Shirley says that Lenny has a serious crush on Laverne.

Laverne doesn't think it's a big deal, so Shirley tells the story of Ned Sterns, with Laverne confusing Ned with other guys, including Allen Steckler, who chewed socks and who I believe was mentioned on some episode where Shirley owed Laverne a favor.  Shirley led Ned on and then her rejection led him to become a doctor, a hunky doctor.  (This seems like a pretty dubious story to tell, since she lost what sounds like just her type.)

Shirley warns Laverne that this will "snowball into something big" and Laverne will "hurt that boy," but Laverne is skeptical.  And then Lenny comes back for his guitar.  Laverne thinks he'll be amused by what Shirley thinks, but he says he doesn't care what the world thinks.

And then he serenades her with perhaps the best McKean-penned song of the series, "In Love with Laverne."  Laverne reacts with shock, while Shirley sees this as the disaster she predicted.  Lenny sings of how Laverne is superior to the pyramids, the Sphinx, and mink coats, and he points out the irony of searching around the world only to "find your special girl in a basement, in your own backyard."  And Laverne wants to speak up, but she waits for the song to end, and then she says, "Laverne who?"  Which makes him guffaw.

(It should be noted that the audience not only claps and cheers but whistles after the song.  Are they reacting to McKean's talent or do they on some level want Laverne & Lenny to get together?  Or are they just terribly amused?)

Shirley says, "Ned Sterns, Ned Sterns," and Lenny looks at Laverne with a goofy, infatuated expression.  Laverne is understandably conflicted.

So we cut to the Braves Stadium and some stock footage.  Up at the very top of the stands, the Shotz crowd has gathered.  Lenny has bought Laverne a corsage and he goes to get her a hot dog even though she doesn't want one.

Squiggy, who's wearing a pirate hat because the Braves are playing the Pirates, asks Shirley, "Don't Laverne and Lenny make a lovely couple?"  They remind him of Fred and Wilma Flintstone.  "Before we know it, bamm-bamm.  Heh heh."  Shirley, who agrees with him about Lavenny as much as she does about the Pirates, says he has Bedrock for brains.

[I run to Wikipedia and find out that unlike, for instance, the reference to My Mother the Car, this one is not actually an anachronism, since The Flintstones had premiered in September of 1960.  However, Bamm-Bamm wouldn't show up until '63.]

A guy named Rusty, apparently an acquaintance of Laverne's, sits down and asks her on a date.  She says she's available Sunday through Saturday, so he suggests Tuesday at 8:00.  [A not so subtle plug for the ABC Tuesday line-up?]

Lenny challenges the "snake in the pants" to a duel and Squiggy immediately offers to be Lenny's second.
LAVERNE: Don't be stupid!
LENNY: It's too late for that, Laverne.
Lenny "demands satisfaction" and slaps Rusty across the face with the hot dog, to Squiggy's delight.  (Seriously, Lander looks genuinely amused, instead of deadpan like earlier.)

Rusty hits Lenny, who sinks onto the stairs.  Laverne hits Rusty with an inflatable bat and tells him to go away but also says she'll see him on Tuesday.

Laverne asks Lenny what he was doing, and he says he was trying to protect "his woman."  When he realizes that she did want to go out with Rusty, he says, "You make it kind of hard to love you, you know that, Laverne?"  And he leaves, handing her the hot dog.  Squiggy comes over and says, "Aww, your first lover's squabble," then he takes the weiner out of the bun and eats it.  Shirley tells Laverne she knew this would happen.

In the next scene, Laverne glumly takes off the corsage.  Shirley comes back from getting Lenny to agree to come downstairs.  She says he was hitting himself in the head with a Polish sausage, screaming, "Pigs don't fly, pigs don't fly!"

Laverne thinks that Lenny and everyone hates her, but Shirley reassures her that no one hates her and that this can be set straight.  She refuses, however, to help set it straight, especially since Ned cried like a baby.

After Shirley leaves, Laverne considers telling Lenny through the dumbwaiter but decides that this is a little impersonal.  She starts to pour her comfort drink of milk & Pepsi, but Lenny storms in and orders, "Shut up, sit down, listen to me."  He grabs her hand and throws her on the couch, but he sits on the back of her thighs.  He then reads her a note that starts, "Shut up, sit down, listen to me."  He accuses her of lying to him, hurting his feelings, getting him punched out, and getting mustard on his best jacket.

When he's done, she asks him to get off her legs, so he does and they sit on the couch, but not as close as usual.  He hands her the note and she points out that he misspelled mustard.  He thinks he put too many O's.  She apologizes for not telling him sooner but she didn't want to hurt his feelings.  He says she hurt them anyway.  She says she'll make it up to him, so he asks her to be his girlfriend.  When she says she can't, he asks her to be his wife.  (I don't know if this counts as one of his many proposals, but if it does, it's probably the simplest.)

When Laverne rejects him again, he yells that she lied to him and he tries to hide under the coffee table.  The lie was that if he found someone he had things in common with, that girl would be the one for him.  She admits she was wrong.  She says he needs something else.  He says he'll run right out and get it for her.  She pulls the table off him and has him sit next to her on the couch again.

LAVERNE: You know that special somethin' that happens between a guy and a girl?
LENNY: (looking utterly vulnerable) Yeah, I got that for you.
LAVERNE: (as if this is painful for her, too) This is the hard part, Len.  Sometimes only one person has those feelings.
LENNY: (as it sinks in) So you hate me.
LAVERNE: No, I don't hate you, Len, you big dope.  I love you!
He's excited, but when she says it's as a friend, he tries to crawl back under the coffee table.

She tells him that girlfriends come and go, but real friends, like him and Squiggy, or her and Shirley, go on forever.  He suggests other pairs of friends, from Heckle & Jeckle (referred to on multiple episodes) to "Edgar Bergen & Joseph McCarthy."  [And that is probably the joke I remember most from this episode, go figure.]  Lenny thinks it over and agrees, over a handshake, to be friends.  Laverne says she feels better, but Lenny doesn't.  So Laverne tries to crawl under the coffee table.

They agree to go see Godzilla on Monster Island together as friends.  [This is especially impressive since in the real world that movie wouldn't come out until 1972 in Japan and '77 in the U.S.]  They're both excited about it and he again thinks they have a lot in common.  She says his name warningly and then tells him, "Put it on," meaning her coat, so he puts it on himself, just to break the tension with humor  Then they shake hands as friends again, and he pulls her off to catch the cartoon before the movie.

And then there's one of those tags that are not throwaways.  Squiggy is playing Animal, Vegetable, or Mineral with the girls and apparently he always chooses lettuce.  Lenny comes in with a girl named Bridget and points out Laverne, "the girl I dumped for you."  He tells Squiggy that he'll need the apartment that night and then he and Bridget leave.

Even though Bridget didn't say anything and was there only long enough to glare at Laverne, Laverne says, "I don't know if she's good enough for him."  Squiggy tells her that she's jealous because she's "just seen two people very much in love, just like me and Shirley."  And he drapes his arm on Shirley's shoulders.
SQUIGGY: Our hearts, they beat as one.
SHIRLEY: The day you drop dead.
Then she goes over to scold Laverne about wanting to lead Lenny on again.  It's hard to hear Laverne over the wrap-up music, but she seems to be saying that Bridget is too short for Lenny.  The top of Bridget's bouffant looked to be on a level with Lenny's chin.  McKean was six inches taller than Marshall.

So what just happened here, in less than twenty minutes of screen time?  (But a lot longer to write up.)  We can guess that Edna would've felt bad for both Lenny and Laverne but given advice even more sensible than Shirley's.  Frank would've yelled if he knew how Lenny felt, while Carmine probably would've been amused.  It's clear where Shirley and Squiggy stand on Lavenny, and that Squiggy ships himself with Shirley and she definitely does not.

But what's going on with Lenny and Laverne?  Let's start with him, because we can assume that's more straightforward.  He's been interested in Laverne since high school and he often tries to grab and/or kiss her.  He considers her smart, pretty, and the classiest girl he knows.  He was willing to talk about his mother to help her deal with her grief.  Prior to this episode, he would've described the two of them as friends.

But something shifts here.  He has feelings he didn't have before.  We see that in his body language in the living room, as she thinks she's just giving him a pep talk but he starts seeing her, and their relationship, in a new way, finding what he's been searching for.  (And there's something poignant about a working-class guy who's probably never traveled further than New York thinking he's looked around the world for true love.)  He thinks he's in love, and he assumes it's mutual, until he finds out otherwise.

Image result for ads for three's company 1982And when she offers him friendship, real friendship, he accepts it.  What choice does he have?  She's not going to go out with him except platonically.  But it's not like his feelings just die.  He may be pretending to have moved on, but notice, he made a point of bringing Bridget by the girls' apartment, when he could've talked to Squiggy more privately.  Is he trying to make Laverne jealous, or does he just want her to know he's not hurting anymore?  As I recall, subsequent episodes would show that Lenny still is emotionally and physically attracted to Laverne, and it's not like they suddenly don't have things in common.  How he handles this over the next four and a quarter seasons will be interesting to trace.

And what about Laverne?  Prior to this episode, she has been growing closer to Lenny, in this season ranging from their little connection at the dog pound to their bonding over a lack of a mother.  And of course there was their magical if disastrous night at the debutante ball.  (It's worth noting that Judy Ervin, the screenwriter for this episode, co-wrote "The Debutante Ball," so it's fair to say that she was an in-house Lavennist.)  This is not the same relationship they had in Season One or even Season Three.

Was it all platonic?  Were they, are they, just good friends?  On his side, no, but what about hers?  And here we have to discuss the tricky subject of Marshall & McKean's chemistry, tricky not because they don't have any-- they clearly do-- but because, while I sincerely believe they didn't cheat on their spouses with each other, that doesn't mean that there isn't something special and, yes, romantic about how they interacted onscreen.  So even when their characters weren't supposed to be flirting, that's not always how it looked.

If they were simply very good actors putting in subtext, at their own whims or at her brother Garry's secret orders, the question is why?  Why tease the audience like that?  It wasn't a canonical pair, or a will-they-or-won't-they Tony & Angela situation.  Even Jack/Janet on Three's Company was something that the audience was deliberately teased about off and on for eight seasons.  As far as I recall, there were no print ads or promos that suggested that Lenny & Laverne were "finally" getting together.  And yet, audiences then and now picked up on Lavenny.

So let's go back to Laverne.  The episode is telling us on the surface that the attraction is one-way.  Laverne herself gently says that to Lenny.  But, as with the double date, where she had a great time until Lenny wanted to have another date, Laverne seems to only be attracted to Lenny if she is unconscious of it.  She thinks she loves him as a friend, which I don't doubt after the "cemetery" episode, if not before.  And she wants to spend time with him, and he's not a bad kisser.  But she tells herself she can't think of him that way, even though we know that she's dreamed of marrying him, admittedly in the distant future.  And way back in Season One, she was willing to have sex with him when she thought they were going to die.

But OK, let's take her at her word.  She wants a strong platonic friendship with Lenny.  Maybe she's just protective of him when she thinks Bridget isn't good enough for him.  But she's going to base it on height?  After being attracted to Shirley's 6'2" blond brother, she's going to think Bridget isn't a good match for Lenny?  And this isn't the worst, or shortest, girl Lenny has gone out with, so why the concern now?  Shouldn't she at least want him to have a nice rebound to get over her?  Or does she miss him having a crush on her, even if she couldn't handle it?

As with Lenny, I'll need to gather more evidence as we go along.  But, yeah, all that stuff about pork and hot dogs and Polish sausage, is definitely TV Freudianism.

Carl Gottleib had played the Station Master on "Bus Stop" but this is his only directing gig for the show.

ETA pics showing Bridget and Laverne's reactions to each other:


I'd say Squiggy looks mildly surprised, Shirley wary, and Laverne in shock.  And Laverne does do a hand gesture indicating shortness at the end of the scene.

"It's a Dog Life"

"It's a Dog Life"
December 12, 1978
C+

Well, what's going on subliminally in the first scene of this Judy Ervin story is a heck of a lot more engaging than Shirley's and a more reluctant Laverne's protest at the dog pound.  Laverne and the boys have gone looking for Squiggy's Uncle Elliot's dog, Meatball, but Shirley befriends a supposedly vicious dog named Fritz, who's going to be put to sleep soon.  I called it early on that the young cop (Wayne Powers, in his first of four L & S roles) would ask Laverne out, and Shirley smooching Carmine in gratitude was to be expected, but I was of course far more fascinated by the dynamic between Laverne & Lenny, or arguably Marshall & McKean, at the pound.

I can understand Laverne patting Squiggy on the back when he's worried about Meatball, but why are L & L touching and smiling so much?  It makes no sense for the scene or the characters.  I mean, look at Marshall's grin there!  Not only that, but Laverne has a completely different attitude towards Jeffrey the stuffed lizard than she did in the first "Hi, Neighbor" episode, now holding it and explaining it to the authorities, and if this isn't Freudian television, then I need to turn in my degree from six years at Robert Hartley University.

Murphy Dunne is a nameless reporter here and would have two more parts on the show.

Sunday, December 1, 2019

"A Date with Eraserhead"

Image result for "A Date with Eraserhead""A Date with Eraserhead"
October 24, 1978
B-

This confused and confusing episode was written by Judy Ervin and I'm sort of OK with that confusion and ambiguity, that things aren't neatly wrapped up in twenty minutes (subtracting credits and commercials).  Laverne thinks that Carmine is two-timing Shirley, and then it turns out that two years ago (presumably when they started dating again post-Lockwash), Shirley and Carmine agreed to have an "understanding" of what would later be called the "don't ask, don't tell" variety.  They see other people but don't want the details.  However, neither of them is entirely comfortable with this as it turns out (and, remember, not that long ago he had Lenny spying on Shirley in New York), so they break up. 

Meanwhile, Mr. DeFazio is celebrating the 10th anniversary of the Pizza Bowl.  Shirley and Carmine now need dates to make each other jealous, so Laverne reluctantly agrees to let her new guy find someone for Shirley, but the best he can do is the girls' old classmate Warren, better known by his nickname, yes, "Eraserhead" (Paul Willson in a role he'd reprise four years later).  And later Laverne has to get Carmine and Shirley to make up, which they do, although nothing is resolved except a return to the vague status quo.

Image result for "A Date with Eraserhead"The funniest scene here is Squiggy "comforting" Shirley over the break-up, and he remains convinced (as his little black book suggested last season) that she's pining for him, so he gives her a pity kiss, which revolts her.  He has a date for the party, which he's "sharing" with Lenny, who gets to drive the girl back to Chicago.  And then Lenny swallows the keys (!) so the guys (at what is roughly four in the morning) have the Chicago girl (hereafter referred to as CG) sleep in Laverne & Shirley's room.

And then we get this exchange (I'm paraphrasing a little)--
SQUIGGY: We'd let you bed down with us if you was in a fix.
LENNY: (sort of campily) And we mean it, Babes.

Now think about that.  The boys could've had CG sleep over for a few hours and then put her on the next bus back to Chicago.  She could've "slept with" Squiggy, if she hadn't already, and maybe also the man Squiggy refers to as "my Lenny" when he's angry at Laverne for pushing Lenny down the stairs on an exercise bike.  (Lenny doesn't seem to hold any grudge about it, or show any injuries later.)  But for some reason (ABC censors?), they send her downstairs to impose on their friends.  And, with the CG presumably still in earshot, they make a lewd offer to Laverne and Shirley, except Lenny says it like he's gay, although maybe he was trying for Hollywood playboy or something.  So, yeah, an episode that raises more questions than it answers.

Lynne Marie Stewart, who previously played Barbara and a Wrestling Coach, here is Muriel.  Linda Gillin's role of Denise is very different than Amy Babish earlier in the year.  And I don't know what the name of the actress is, but I swear CG shows up in one of the California episodes, as another of Squiggy's silent dates with a black beehive, maybe the episode where Laverne wants to sing at Cowboy Bill's.  (I've seen the clip on Youtube in recent years.)

Monday, November 18, 2019

"The Debutante Ball"

Image result for "The Debutante Ball" laverne and shirley"The Debutante Ball"
May 9, 1978
B+

Heavy Lavenny, cannibalistic Squiggy, and a major class clash?  Let's break this bad boy down....

So, after a hiatus of over two months (I don't remember why, maybe ABC was trying out midseason replacements, maybe the cast beheaded half the writing staff, who knows?), L & S came back with this episode written by Ervin & Roth.  I wouldn't necessarily say that the reason it manages to contain a princess fantasy, rich bitches, and sisterhood solidarity is that two women wrote it, but I wouldn't rule that out either.

Laverne and Shirley are eating Chinese food in their kitchen when they find out that Laverne got an invitation to a debutante ball thrown by The Society of Exiled Royalty.  Laverne assumes it's a joke, but it turns out that Lenny is the Count of Kulakowski, and thus 89th in line for the Polish throne.  (As Squiggy puts it, "One good plague, and the kid is practically a queen.")

Image result for "The Debutante Ball" laverne and shirleyLaverne says she can't go because she has nothing to wear, so Squiggy says that his Uncle Elliot's Wax Museum will provide costumes.  For once, Shirley encourages Laverne to go out with Lenny, not because she ships them (I don't think she ever does, quite the opposite), but because it's a debutante ball.  Laverne says that she and rich people don't get along, which we've seen examples of in previous episodes, including the first episode.  And Laverne says there are a million girls who'd want to go out with a count like Lenny.

He replies, "Of course a million girls would like to go with me, but I want to go with you!  I mean, you're pretty and you're smart and you happen to be the classiest girl I know."  Shirley nods eagerly, the audience awws, and Lenny more humbly says, "Please, Laverne."

Laverne smiles and accepts, then curtsies (or "crusties" as Lenny would say) and thanks him.  He says that the simple peasant joy on her face is thanks enough.  But his squire Squiggy says with a wink before they exit, "But if you, uh, want to throw in a little royal voe-dee-oh-doe after the ball, it won't break his heart."  Lenny snickers and then bites his wrist.  (Thanks, Judy and Paula, for keeping it real.)

Image result for lizzie borden
The actual Lizzie Borden
The next scene takes us immediately to the ball, although presumably a longer episode would've had Shirley helping Laverne learn etiquette.  Lenny is wearing a magician's suit and looks surprisingly elegant, despite the pigeon in his pocket.  (Suit pocket, so please hold back your Mae West quotes.)  Laverne looks like something out of Gone with the Wind but it's actually supposed to be a Lizzie Borden gown.

Lenny gets them champagne by reaching behind the server and taking two glasses.  They share a little giggle together and then toast.  But then he "accosts" a woman who throws a drink in his face and says, "Here, Bumpkin!", so he reciprocates, thinking it's like "cheers."  Laverne knows he's been rude, but she tries to dry off his tuxedo, until she realizes that his handkerchief is actually the magician's long scarf.  She sends him to the restroom.

She accidentally flashes her bloomers when she sits down in the hoop skirt.  Then she has to deal with snobbish women, one of whom refers to "dreadful riffraff, rubbing elbows with the rich."  Laverne says she doesn't want to rub their "crummy elbows," and she's there as a debutante being presented by her friend Lenny, the Count of Kulakowski, and points out the tall man who's wolfing down a sandwich.  She proudly says, "Quite a guy, isn't he?"  The two women are aghast and then amused, deciding he's an impostor.

Image result for "The Debutante Ball" laverne and shirley
Then it turns out that newcomers have to present their papers that prove their nobility, but Lenny left his in the Pizza Bowl safe.  So we switch to the basement of the Pizza Bowl, where Squiggy tries to frighten Shirley with tales of "the mummy's tomb."  Mr. DeFazio finds "Lenny's royal papers," and a bottle of 100-year-old wine that he's saving for Laverne's wedding.  Shirley hopes that they can all "take a slug" out of it real soon.

Squiggy comes over to look at the bottle, and the door slams behind him, locking the three of them in.  Now, if Squiggy were trapped in a basement with Shirley and a bottle of wine but without Frank, his thoughts might turn to seduction, but instead they turn to, yes, cannibalism.  Or as he puts it, "devouring their comrades."  She gets comically violent with him.  Mr. DeFazio says they'll just have to sit and wait, but for who?  Mary the waitress?  Big Rosie?  Lenny and Laverne after they get kicked out of the ball?

Back at the ball, Laverne waits impatiently for Shirley, while Lenny has lost his "friend," the pigeon.  When he asks Laverne to cover for him while he looks under a couch, she takes him literally and squats over him so that her hoop skirt covers him while he lies face down on the floor.

We return to the Pizza Bowl basement, where the men are sipping wine and Shirley is desperately trying to escape.  Finally, after some more of Squiggy being scary, Shirley makes it out the barred window, although she later reveals that she is not in fact the perfect Size Five she's been telling us she is for three seasons, but from the waist down she's a Seven or an Eight!

Some time later at the ball, the presentations have apparently been going on long enough for Lenny to have started yawning, while Laverne nervously waits to be presented.  Unfortunately, they don't have Lenny's papers and the guards are called.  Shirley bursts in with the papers and Laverne gets them and hands them over.

One of the snobbish women has the guards release L & L, curtsies, and says, "Oh, my apologies, Your Excellency!"

Lenny chuckles and says, "Well, I'm good, but excellent?", which is a variation on a Groucho line from Duck Soup.  Laverne grins and playfully hits his arm.

Then the snobbiest woman says in disbelief, "They're legitimate?", to which Laverne replies, "Yeah, are you?"  Lenny guffaws and pats her arm.

It's now time for Lenny to present Laverne, so after coming onstage without her, he goes back and leads her by the arm.  He tells her, "You're gonna be fine.  I'm really proud to be here with you, Laverne."  He kisses her cheek and whispers, "Go get 'em!"  She's been rehearsing what she'll say to their host, the duke, but she gives Lenny a look of affectionate surprise.

Unfortunately, she trips going down the ramp, knocks over two or three men, and gets a punch bowl spilled on her.  Lenny comes over and suggests she keep going, "maybe nobody noticed."  He helps her to her feet, but the rich crowd is already laughing heartily.  She tearfully says, "I'm sorry, Len," and exits, to the restroom we discover in the next scene.

Shirley scolds the crowd and then goes to tell Laverne that she "put those people in their place."  She tries to make Laverne laugh, including singing lyrics to "the Blue Danube Waltz by Strauss, the louse," which is the main thing I remember about this episode from the time.  Then more seriously, she gives Laverne a talk about true dignity and class, and makes her see that the people at the ball aren't any better than the gang at the Pizza Bowl.  She gives Laverne the courage and support to go out there and face the snobs again.

While Laverne is looking for Lenny, he comes in with the pigeon perched on his hand, but she doesn't see him.  Then the duke invites her to dance with him for the Duke's Dance.  The snobbiest woman looks shocked, while Lenny looks proud and Shirley looks like one of her fairytale dreams has come true.  Now, note that the duke is an older if distinguished gentleman, and he's not presented as a Prince Charming.  It is the honor of dancing with a duke, and one who admires Laverne's courage and true class, that matters, not a potential romance with a stranger.  Shirley starts crying, so Lenny offers her the magician's long scarf, to her confusion.  Laverne beams at her friends: her roommate who saved the day and her pride, and her neighbor that she seems to appreciate in a fresh way.

AND THEY ALL LIVE HAPPILY AFTER.

The Duke and most of the guest stars aren't credited.  Carmine and Edna are both absent, because they eloped.  Kidding!  (Maybe.)

Angel Face

Once again, I'm reluctantly writing another non-obituary for a star of Laverne & Shirley .  Three times in just over three years is ...