Showing posts with label James Burrows. Show all posts
Showing posts with label James Burrows. Show all posts

Monday, October 21, 2019

"Lonely at the Middle"

Image result for "Lonely at the Middle" laverne"Lonely at the Middle"
March 29, 1977
C+

Although this is another episode I for some reason vaguely remember watching at the time, especially Laverne using the "happy" suggestion box to sing "Rubber Tree Plant" to Shirley, it would probably be a C if not for the one-year-later frame device* of Laverne telling the story to Lenny.**  The "union" song that Lenny and Squiggy sing in the tag isn't bad but is too short and not one of their classics.  The main plot resembles "It's the Water," in that Shirley gets a promotion that doesn't go well.

Byron Webster is Warren Tompkins here and would later be Mr. Slotnik.


*And I think that's only there so that the girls won't have their own car to go to work in and have to use a car pool or the bus.

**After, at his request, putting a band-aid on his finger and kissing it, which is sweet and possibly shippy.  And he wants to know where the "secret place" is that a girl gets kissed in Laverne's smutty book.  He guesses the basement, which happens to be where he and Laverne are sitting.

Tuesday, October 15, 2019

"Guinea Pigs"

Image result for guinea pigs laverne & shirley"Guinea Pigs"
January 18, 1977
C+

It's weird that I recall from the time details about this Jack-Winter-written story, like Shirley's version of Grace that makes "food" rhyme with "good," because it's not that funny an episode.  The only time I laughed was when Shirley did the Bunny Hop with a sleepy Laverne on her back.  The girls become the title subjects when they want to earn fast money to attend a cocktail party that requires $20 admission.  (One episode this season suggested they make less than $60/week.)

Note that Mrs. Babish has a date, which is why she gives Shirley her party invitation.  The episode does have some S & S and L & L shipping, although some of it is admittedly odd, like the boys spying on the girls as they change into cocktail dresses in the back of the delivery truck.  Lenny helps Laverne carry in her laundry, and he seems a lot more responsive to her flirtation (to find out about where the guys go secretly to make extra cash) than Squiggy is to Shirley's, but then Shirley is just resting her head on Squiggy's shoulder (her signature move, as in the girls' first HD guest shot), while Laverne is nuzzling and possibly kissing Lenny's neck.

Volunteer Leoda Richards would have two other roles on the show, but not until the '80s.  Jack Lukes, who's Guy #1, would play three other characters.  Kenneth Gilman is Dr. Sandor here but would return as Chickie Gale.  And this time Harry Shearer doesn't just do a voiceover but appears onscreen, in a skullcap bald wig, as the Danzaly named Harold.

"Guilty Until Proven Not Innocent"

Image result for "Guilty Until Proven Not Innocent""Guilty Until Proven Not Innocent"
January 4, 1977
B-

Sand and Kaprall co-wrote this story where Kaprall's Officer Norman turns out to be not much help when Laverne gets arrested for shoplifting.  I was leaning towards a C+, but the scene where a drunk Mrs. Babish plays the sax as a drunk Shirley sings the blues (rhyming "jail" with "money" rather than "bail"), and then Lenny and Squiggy enter as respectively the Lone Ranger and the Devil, is genuinely funny. 

Note that Carmine has arranged a double date for himself and Mr. DeFazio, which is a little weird, but we never see it or find out any details.  It's mainly just there to explain why the girls aren't going to Green Bay when Laverne's father drives their car.  Also, this is one of several Season Two episodes where Shirley writes in her diary during the tag.

Monday, October 14, 2019

"Good Time Girls"

"Good Time Girls"
Related imageNovember 30, 1976
C+

Greg Antonacci returns as Hector, here unable to take a hint when the girls repeatedly reject him.  As revenge, he writes their names and number on the restroom wall of a pool hall.  This leads to them being attacked by two leering accountants.  Yet, they are unable to be honest with Hector and end up telling him that they don't want to lose him as a friend by going out with him.

The best part of this episode is of course when Laverne and Shirley dress in drag, in what turns out to be Lenny and Squiggy's clothes, to take their phone number off the wall.  I like the guys' guesses on who these two strangely familiar fellas are, and then Squiggy reacting as if he's been caught exposed by having women in a men's room.  Note that Lucille honks offscreen and we learn, one, she's divorced, and two, she's still planning to take Carmine to Europe.

Fred Willard this time plays the Man in Bathroom, with a fake mustache.  Bruce Kimmel, who's Scott, would have two later roles.  Stephen Nathan, who would write three later episodes, appears onscreen as Kevin.  Laura Levine would write one other episode.

"Dear Future Model"

"Dear Future Model"
Image result for "Dear Future Model"
Lucille/Carmine.  (Lucmine?  Carmille?)
November 23, 1976
C+

In this story by Barbara Robles (her only credit at IMDB) and Judy Skelton, Shirley's latest scheme to make her dreams come true is mail-order modeling lessons.  Lucille (Sandy Wirth) now runs some sort of Tupperware-like lingerie company and agrees to have the girls model for Rosie Greenbaum and Rosie's friends, oddly enough in Laverne & Shirley's apartment.  This allows Shirley to be annoyed with Lucille, while Laverne is annoyed by Rosie, although there's not much of a pay-off to either.  Then the girls go to a real modeling agency but get overlooked.

It's kind of weird to have the girls so insecure about their looks and weight, although I guess they're Hollywood-average.  Lenny scoffs at the idea that a book can teach them how to be sexy.  And I couldn't help wondering how exactly the Tarzan rope that Laverne uses would work in a basement apartment.

Photographer Michael Mann would play a Lackey the next year.  Receptionist Deborah Harmon would star as a mother of eight a dozen years later on ABC's Just the Ten of Us.  Billy Sands, who's Holms here and would be Waldo later, would probably at that time have been most recognizable as either Private Dino Papparelli on Sgt. Bilko or "Tinker" Bell on McHale's Navy.

"Look Before You Leap"

Image result for laverne and shirley look before you leap"Look Before You Leap"
November 16, 1976
B+

This is mostly set at the girls' apartment and doesn't have guest stars (not counting extras at the Pizza Bowl).  As such, it is a very interesting look at the interactions of what is now the core cast of seven.  But of course the episode is just as notable for its script, by David W. Duclon (his first of four) and Deborah Leschin (her second of six, after the quite good "Fakeout at the Stakeout"), being both daring and Family-Hour-friendly.*

We start with slapstick, as the dumbwaiter that we saw in a recent episode as being a sort of pipeline to Lenny & Squiggy's apartment (up on the fourth floor? maybe the intervening neighbors ignore it) is now being used by the guys to play Mine Shaft.  In fact, Mrs. Babish and Lenny have to rescue Squiggy from the shaft.  Then Carmine shows up and yells at Shirley because Rosie Greenbaum (not shown) told him that Shirley has an appointment with a "baby doctor."  She says it's on behalf of a friend of a friend of friend.  Carmine apologizes, but I think it's interesting that his first reaction is anger, rather than sympathy.  If she were in what we discover is Laverne's situation, he presumably would not try to help her, at least not initially.  Well, he might threaten to beat up someone but that's about it.

The audience has seen that Laverne isn't feeling well and it soon becomes clear who the appointment is really for.  Carmine apologizes to Shirley, but the other guys mostly find it amusing that Laverne might be pregnant.  However, this is their initial reaction and it will change.

Shirley confides in Mrs. Babish, partly through a flashback to a month ago, when Laverne was out all night and passed out in a vat, where she had a dream about a honeymoon with a cute guy she'd met that night.  Then it turns out she's wearing boxer shorts under her dress and over her full-slip.  It's not quite The Miracle of Morgan's Creek, but there are parallels, although there Trudy Kockenlocker is definitely knocked up by a passing stranger and writer-director Preston Sturges is doing everything he can to subvert World-War-II era censorship.  L & S leaves things more ambiguous.  We don't know even know if Laverne had sex, although maybe the doctor can tell her that.

Image result for laverne and shirley look before you leapMrs. Babish is motherly here and in fact mentions that she has five kids.  Garrett plays the scene well, warm but sensible, sympathetic to Laverne's plight but also believing that it's best that Laverne tell her father before he "hears it on the streets."  Laverne understandably fears doing this, because her pop is an old-fashioned Italian.  Also, she's ashamed that this has happened (or might've happened), especially how.  But when they have their talk, he's also warm and supportive, while still taking a few moments to rant and rave.  (And he asks if the potential father is Italian.)  It's a sweet scene that gives Foster more to play than the easy comedy he's been given so far.

But it is of course McKean and his Lenny that show previously hidden depths in this episode.  After Squiggy literally drags Shirley out of the apartment— "Don't worry, he won't hurt her," Lenny tells Laverne— L & L have a talk.  Lenny is nervous at first and Laverne is already on edge because she has an appointment with the obstetrician in an hour and a half.  But Lenny eventually admits that he and Squiggy flipped a coin to see who is "going to volunteer to be her husband."  The scene is somehow played for both laughs and sentiment and it mostly works.  (The line "Plus, I'll practically never hit you or nothin' " is admittedly funny because it emphatically doesn't belong in a proposal, but that doesn't make it not disturbing.)  When Lenny explains that his last name of Kosnowski means, "Help there's a hog in my kitchen," Laverne's confused, nasal "That's nice," underlines the real emotions of these often cartoony characters.  The situation isn't funny but the way they handle it can't help but be funny.

And when Laverne, even under stress, can't help a wisecrack with "Awww, and you lost, huh?", she rubs his arm, so that she's mocking herself but also grateful to her friend.  And then he says, with utter sincerity, "No, I won."  And the studio audience just melts.  Who knew that Lenny wasn't just a wrist-biting weirdo?  (At the beginning of the last scene, he and Squiggy are ogling girls, and Lenny doesn't exactly act like he was ready to make a lifetime commitment to Laverne.)

He references his Lone Wolf jacket, and we again see that her L is on his back, but he acts like he's ready to settle down, promising to take the dispatcher's test and support her.  He concludes by saying he likes her and he'd like her to marry him.  He's already kneeling and he now puts his head on her knee, as if he's humbly asking her to do him a favor.  The studio audience is even more moved this time, not just letting out "awws" but clapping and whistling.  OK, it's an overhyped, mid-'70s, ABC sitcom audience, but still.

Image result for laverne and shirley look before you leapAnd Laverne, who couldn't figure out how to get the grease off her hand after stroking Lenny's hair on the "Hi, Neighbor" episode, rubs his back and sweetly calls him Len.  She has him sit beside her, where she "can see his face."  She calls him a "big dope," but gently, and she says she's "real flattered" by his proposal.  She strokes his shoulder but tells him she can't accept.  He looks genuinely disappointed.

She gets to her feet and explains why getting married because she might be "in trouble" (Shirley had used the word "pregnant" earlier) would be wrong, and the title makes sense, that Laverne could leap into marriage with Lenny but it wouldn't be right (at least at this time).  He stands up, too, but puts his hands in his pockets, understanding and accepting what she's saying.  She tells him he's a "great friend and a real sweet guy."  She hugs him and his hands struggle helplessly in his jacket, unable to hug her back, a sight gag that gives the audience the release of more laughter, while fitting the scene.

Both Marshall and McKean play the scene perfectly, hitting all these different tones.  At the time, I don't think there was a conscious Lavenny thread for the series (if there ever was), but this is probably the episode where such a ship becomes plausible.  Even if you think Laverne's feelings are platonic, her fondness comes through, and I think it's arguable that this is the episode where Lenny begins to be smitten, not just having a casual lust for his old friend.  And of course, it would not be the last time he'd propose to her.  Even if you don't ship Laverne & Lenny, you have to admit that this scene humanizes him in a way we haven't seen before.

When Shirley returns, she says that Squiggy told her and she thinks it's "the most beautiful, wonderful, adorable thing she's ever heard of in her whole life."  However, she is not a Lavenny shipper, so when Laverne pretends she accepted, just to get a laugh, Shirley thinks Laverne is crazy.

In the last scene, Laverne silently tells her father she's not pregnant, then she and Shirley whisper the good news to Lenny and Squiggy respectively.  Frank tells Edna, and they embrace, although I'm not clear if they're a couple yet.  (Remember, this is the first scene we see of them together.)  Shirley whispers to Carmine, who's got his regular gig singing at the Pizza Bowl.  He breaks into "Hallelujah," and Shirley, Squiggy, and Lenny join in.  Squiggy puts his hands on Shirley's shoulders from behind, and she doesn't push him away.  An embarrassed Laverne buries her face on Lenny's chest.  And the episode ends there, perhaps forever changing the game, or is this just a blip?  Stay tuned....



*In January 1975, The FCC established the Family Viewing Hour, which tried to move "sex and violence" out of the 8 to 9 p.m. block of television.  It was repealed on November 4, 1976, shortly before this episode aired, but wouldn't officially become null and void until the next season.  You'll notice that when Three's Company originally aired in the Spring of '77, it was at 9:30 on Thursdays.  Racier innuendo aired in the 9 to 10 p.m. block, while "wholesome" shows, like Garry Marshall's Happy Days and Laverne & Shirley, had to be less direct.  A typical early Three's Company joke would be Jack telling Chrissy he's so depressed that he "can't even raise a smile" when he walks in on her showering.  That would be too out there for Laverne & Shirley, at least at this point.

Monday, September 30, 2019

"From Suds to Stardom"

Image result for "From Suds to Stardom""From Suds to Stardom"
May 11, 1976
B-


This first of I think at least three Shotz Showcase episodes is a little weak, and yet it does feature the debut of the marvelous Lenny & the Squigtones.  ("I'm Lenny."  "And I'm the Squigtones.")  They here sing the McKean-penned "Starcrossed," which is a '50s parody played straight, including apparently one of those "Tell Laura I Love Her" tragic endings of the late '50s and early '60s.  The girls' attempt at Calypso is much less memorable, although Carmine does ask them to put "sex" into it.  (Mekka did the episodes' choreography.)  The tag even offers L, L, S, and S doing distracting backup (especially Squiggy) to Carmine's "Rags to Riches."  But the sum of all these parts isn't as good as I suspect it would've been a year or two later.  Still, as with so much of Season One, there is potential.

Garry Marshall is onscreen as the Drummer, while Ogden Talbot's first of three roles on the show is as Wilbur.

Monday, September 23, 2019

"Dog Day Blind Dates"

Image result for "Dog Day Blind Dates""Dog Day Blind Dates"
March 9, 1976
B-

This episode's title references Dog Day Afternoon, which came out the previous September, and the girls are held up at the Pizza Bowl by bumbling crooks that they're on a double date with.  The pizzeria has closed early at the dates' request, but Lenny & Squiggy linger, adding some humor in an uneven episode.  Also, when Laverne thinks that the crooks will kill them, she suggests that she and Shirley "vo-de-oh-do-do" (a term that was already established on the series at this point) with Lenny & Squiggy so as not to die as virgins.  This despite the fact that Laverne earlier described the guys as friends she wasn't proud to admit to.  Still, it's a contrast to Shirley, who won't pet on the first date and doesn't want to lie on the floor next to Lenny, although she has to when it's "boy-girl-boy-girl."

I think this the first episode where I didn't hear Williams trying to fit in with a bad Northeast-Coast accent, as if being from New York or New Jersey equates with being low-class.  (Watch the '50s-set "skating rink" scene of The Brady Variety Hour from November of that year for an egregious example.)  And it's as good a time as any to say that I'd forgotten that the girls' last names appear onscreen this season, as if the show is really called Laverne DeFazio & Shirley Feeney.  Good thing they didn't continue this with Mork from Ork & Mindy McConnell.

This is Dale McRaven's only L & S script, although I did recognize the name from Mork & Mindy.  James Burrows would direct seven more episodes.

Bo Kaprall is a nameless Cop here but would play Officer Norman Hughes six times in the next couple years.  Guich Koock, who plays Buck, would go on to Carter Country, where his accent would make more sense, although Buck admits he's not actually from Arizona.  (The "Phoenix"/"Kleenex" rhyme is the main thing I remember about this episode, so I guess they couldn't make him Texan or something.)  And Fred Willard is instantly recognizable as Charles here; he would be a nameless Man in Bathroom later that year.

Angel Face

Once again, I'm reluctantly writing another non-obituary for a star of Laverne & Shirley .  Three times in just over three years is ...