Showing posts with label Deborah Leschin. Show all posts
Showing posts with label Deborah Leschin. Show all posts

Saturday, December 28, 2019

"Not Quite South of the Border"

Image result for "Not Quite South of the Border""Not Quite South of the Border"
January 7, 1980
C

So a new decade dawned and ABC realized that it had been a mistake moving Laverne & Shirley over to Thursdays, so they shifted the girls over to...Mondays?  I was an ABC sitcom loyalist well into the '90s and I can't think of any of their shows I ever watched on Mondays.  I'm guessing, but Mondays that season I was probably watching Little House on the Prairie on NBC, with occasional WKRP over on CBS.  I have absolutely no memory of this episode from the time, even as a summer rerun.  But maybe that's because it's not very good.

The idea in this story, the only one written by Susan Seeger, collaborating with Deborah Leschin, isn't a bad one, with the girls taking a cheap vacation in "Near Mexico," although if they'd taken Frank's advice to visit Laverne's grandmother in Brooklyn again, I'd have been perfectly happy.  It's the execution of the story, with timing of dialogue off and the physical comedy not really working, although I can see everyone, including the special effects crew, throwing themselves into it, as I listen to the studio audience roar with laughter like it's a classic I Love Lucy episode or something.  I didn't find the episode painful or anything, and I of course liked the stuff with Lenny and Squiggy wanting to stow away in the luggage (with Lenny almost eating Laverne's garter belt), but as with the "army" special, I just don't see the point of this episode.

Billy Sumper's middle of five L & S roles is as Lou, while Neil Thompson's second of four is as Fred Frick.  And Peter Elbling's final "foreign" role on the show is as Jose.  Carmine is absent, although you'd think he'd want to see Shirley off.

Monday, December 2, 2019

"A Visit to the Cemetery"

Related image"A Visit to the Cemetery"
November 14, 1978
A-

The best episode of the series so far (maybe ever) was written by Leschin & Duclon and it features just the core cast of seven, and although it is mostly about Laverne, everyone gets something to do.  In fact, Laverne is the last to enter in the first scene and we get a very silly-- and kinky!-- magic act, I think to lull us into expecting farce rather than dramedy, giving more impact when she comes in upset.

The Great Sguiggini and his "lovely" assistant Lenny are practicing a magic trick.  (Why?  I don't know.  Maybe there was going to be another talent show, or maybe they hoped to get rich quick.  Do we really need an excuse?)  Carmine and Shirley are playing along with it, because they seem quite content to be tied together by "the King of Bondage" and are smooching during the patter.  Squiggy throws his bedsheet over them and then Lenny reveals that Squiggy is now literally between Carmine and Shirley, and she's unknowingly kissing Squiggy.  I expected this to be Squiggy's plan all along, but he seems as surprised as anyone, although Shirley is of course revolted when she realizes. 

As Lenny tries to free them, Laverne comes in and then her father calls.  It's very slapsticky with the four friends clustered in the living room, yelling to Laverne and her dad, and we still don't know why Laverne is upset, but it seems to be related to her dad.  She tells Shirley to make the guys leave, and just her yelling, "Get out!" is enough to undo the knots.

Shirley drags Laverne down to the Pizza Bowl to make peace with her father, although we and Shirley still don't know what the issue is.  Edna has corralled Frank as well, and we see that the DeFazios are both stubborn.  They do make up, and we still don't know what the fight was about, and the viewer could assume that it's about Mr. DeFazio pressuring his daughter yet again about marriage.

Then it's revealed that he wants her to make the visit of the title.  Her mother's 50th birthday is coming up (so born in 1910?) and Laverne never goes to the cemetery.  She talks to Shirley about how hard it was growing up without a mother, learning all the "woman stuff," like how to shave her legs.  I vaguely remember this episode having an impact on me at age 10, like when Mindy would later talk about her mother on Mork & Mindy.  If you're a motherless girl (I lost mine when I was 3), you never do really get over it.  (Not that it doesn't affect boys, just not in the same way.)

Image result for "A Visit to the Cemetery" laverneShirley tries her best to relate, and we know that she has a difficult relationship with both her parents.  But it takes Lenny to really understand what Laverne is going through.  His abusive mother abandoned him when he was 5 and he says he was angry at her for a long time, and maybe Laverne is angry at her mother, too.  Laverne slaps Lenny for this and then immediately feels remorse.  They talk some more and she says, "You know, Len, for a guy who keeps falling off the roof [mentioned but not seen earlier], you got some pretty good smarts."

He smiles when he sees her come over to kiss him, but winces in advance when she heads towards the cheek she slapped.  She sees this and chooses the other cheek.  He giggles at the affection and she tells him not to.  And then he stumbles out of the apartment, maybe because he's clumsy or maybe because he is always really affected when Laverne kisses him.  As with the "proposal" scene in Season Two, Marshall and McKean play this whole scene just right and it adds an extra layer to their characters and to the relationship. 

Laverne does go to the cemetery, where Frank is talking to "Josephine."  He hugs Laverne and tells her she's beautiful.  Then he gives her some privacy and she talks to her mother, with a cute interruption from Shirley, to provide comic relief and show how supportive Shirley is.  Laverne even makes the silly face that used to amuse her mother.

And in the tag, everyone abandons Squiggy in a trunk for free beer at the Pizza Bowl, because this is still a goofy sitcom.

Tuesday, October 15, 2019

"Steppin' Out"

Image result for steppin out laverne and shirley
Rosie seems to have a
different hairstyle in every
 episode, but then she
 is comparatively rich.
"Steppin' Out"
February 8, 1977
C

This Deborah Leschin story feels like filler.  The girls try to get ready for a big date but things keep going wrong, including a fire breaking out in the neighborhood.  Not that they're terribly concerned about their neighbor, but the water being shut off in their building does affect their grooming.

Not shipping notes per se, but both Lenny and Squiggy leer at Laverne when they see her in her slip, and Squiggy asks if Shirley is "naked, too."  Oh, and Carmine is still seeing "that divorcy" Lucille.  (I'm assuming they never went to Europe, or that's just not going to be mentioned again.)

"Call Me a Taxi"

Image result for laverne taxi call me
Supplemental income
"Call Me a Taxi"
February 1, 1977
B-

Deborah Leschin and Paula A. Roth wrote this episode that, while not feminist per se, does inadvertently address the pay gap and the double standard.  And it's another episode I sort of remember from the time, both the "taxi dancing" and Shirley's bosom-stuffing.

In 1960 (the year this episode might be set), women who worked full-time made 61 cents for every dollar men made, while in '77 it had dropped to 59 cents.  (It reached 78 cents in 2013, with no more recent stats at this website: https://www.infoplease.com/womens-earnings-percentage-mens-1951-2013).  Now admittedly, Laverne and Shirley aren't doing the same job as Lenny and Squiggy, but when the girls are laid off for three weeks and the guys start making overtime, there is a feeling that it's unfair, especially since the girls are good at their job and the guys possibly aren't.

And when the girls decide to make some money during the three weeks away from the brewery, they get the humiliating work of a-dime-a-dance.  Lenny and Squiggy (who must by the laws of sitcoms show up) think it's normal for guys to be there but shameful for women.  And yet, it's clear that most (maybe all) the customers are "vermin," while our girls are "nice."  Also, Laverne refuses Rosie's pity money but agrees to work minimum wage for her father.  So the gender dynamics here are not that simple.

I will say that I was leaning towards a C+ but Lenny and Squiggy are genuinely funny in their guises as respectively a big-game hunter and a novelist, and I like the irony that they feel they are supplying fantasy to the humdrum lives of the dancers, rather than the other way around.  We know that when they give their tickets to Laverne and Shirley, they will pair off L & L and S & S, but there's also a bit of them accidentally dancing together.  (Not the last time LenSquig will be teased for humorous purposes.)

Larry Hankin is Tall Dancer here and would later play Biff.  Peter Elbling is Dancer (presumably the shorter one), doing a vaguely European accent again after being Eric the German before.  Frances Peach is Mary but would have two other roles.  Julie Payne is Charmayne here and would be Colonel Turner in a two-parter a couple years later. 

And Rose Michtom is uncredited as the elderly Ticket Lady, but she'd later appear a few times as Mrs. Kolcheck/Kolchek.  (I instantly recognized her today from a taping of Too Close for Comfort, where she kept screwing up the line "I'm a drowning victim" by emphasizing "victim" rather than "drowning."  She has no lines here but she was then pushing eighty, and I'm curious to see how she does with L & S dialogue.)

Monday, October 14, 2019

"Look Before You Leap"

Image result for laverne and shirley look before you leap"Look Before You Leap"
November 16, 1976
B+

This is mostly set at the girls' apartment and doesn't have guest stars (not counting extras at the Pizza Bowl).  As such, it is a very interesting look at the interactions of what is now the core cast of seven.  But of course the episode is just as notable for its script, by David W. Duclon (his first of four) and Deborah Leschin (her second of six, after the quite good "Fakeout at the Stakeout"), being both daring and Family-Hour-friendly.*

We start with slapstick, as the dumbwaiter that we saw in a recent episode as being a sort of pipeline to Lenny & Squiggy's apartment (up on the fourth floor? maybe the intervening neighbors ignore it) is now being used by the guys to play Mine Shaft.  In fact, Mrs. Babish and Lenny have to rescue Squiggy from the shaft.  Then Carmine shows up and yells at Shirley because Rosie Greenbaum (not shown) told him that Shirley has an appointment with a "baby doctor."  She says it's on behalf of a friend of a friend of friend.  Carmine apologizes, but I think it's interesting that his first reaction is anger, rather than sympathy.  If she were in what we discover is Laverne's situation, he presumably would not try to help her, at least not initially.  Well, he might threaten to beat up someone but that's about it.

The audience has seen that Laverne isn't feeling well and it soon becomes clear who the appointment is really for.  Carmine apologizes to Shirley, but the other guys mostly find it amusing that Laverne might be pregnant.  However, this is their initial reaction and it will change.

Shirley confides in Mrs. Babish, partly through a flashback to a month ago, when Laverne was out all night and passed out in a vat, where she had a dream about a honeymoon with a cute guy she'd met that night.  Then it turns out she's wearing boxer shorts under her dress and over her full-slip.  It's not quite The Miracle of Morgan's Creek, but there are parallels, although there Trudy Kockenlocker is definitely knocked up by a passing stranger and writer-director Preston Sturges is doing everything he can to subvert World-War-II era censorship.  L & S leaves things more ambiguous.  We don't know even know if Laverne had sex, although maybe the doctor can tell her that.

Image result for laverne and shirley look before you leapMrs. Babish is motherly here and in fact mentions that she has five kids.  Garrett plays the scene well, warm but sensible, sympathetic to Laverne's plight but also believing that it's best that Laverne tell her father before he "hears it on the streets."  Laverne understandably fears doing this, because her pop is an old-fashioned Italian.  Also, she's ashamed that this has happened (or might've happened), especially how.  But when they have their talk, he's also warm and supportive, while still taking a few moments to rant and rave.  (And he asks if the potential father is Italian.)  It's a sweet scene that gives Foster more to play than the easy comedy he's been given so far.

But it is of course McKean and his Lenny that show previously hidden depths in this episode.  After Squiggy literally drags Shirley out of the apartment— "Don't worry, he won't hurt her," Lenny tells Laverne— L & L have a talk.  Lenny is nervous at first and Laverne is already on edge because she has an appointment with the obstetrician in an hour and a half.  But Lenny eventually admits that he and Squiggy flipped a coin to see who is "going to volunteer to be her husband."  The scene is somehow played for both laughs and sentiment and it mostly works.  (The line "Plus, I'll practically never hit you or nothin' " is admittedly funny because it emphatically doesn't belong in a proposal, but that doesn't make it not disturbing.)  When Lenny explains that his last name of Kosnowski means, "Help there's a hog in my kitchen," Laverne's confused, nasal "That's nice," underlines the real emotions of these often cartoony characters.  The situation isn't funny but the way they handle it can't help but be funny.

And when Laverne, even under stress, can't help a wisecrack with "Awww, and you lost, huh?", she rubs his arm, so that she's mocking herself but also grateful to her friend.  And then he says, with utter sincerity, "No, I won."  And the studio audience just melts.  Who knew that Lenny wasn't just a wrist-biting weirdo?  (At the beginning of the last scene, he and Squiggy are ogling girls, and Lenny doesn't exactly act like he was ready to make a lifetime commitment to Laverne.)

He references his Lone Wolf jacket, and we again see that her L is on his back, but he acts like he's ready to settle down, promising to take the dispatcher's test and support her.  He concludes by saying he likes her and he'd like her to marry him.  He's already kneeling and he now puts his head on her knee, as if he's humbly asking her to do him a favor.  The studio audience is even more moved this time, not just letting out "awws" but clapping and whistling.  OK, it's an overhyped, mid-'70s, ABC sitcom audience, but still.

Image result for laverne and shirley look before you leapAnd Laverne, who couldn't figure out how to get the grease off her hand after stroking Lenny's hair on the "Hi, Neighbor" episode, rubs his back and sweetly calls him Len.  She has him sit beside her, where she "can see his face."  She calls him a "big dope," but gently, and she says she's "real flattered" by his proposal.  She strokes his shoulder but tells him she can't accept.  He looks genuinely disappointed.

She gets to her feet and explains why getting married because she might be "in trouble" (Shirley had used the word "pregnant" earlier) would be wrong, and the title makes sense, that Laverne could leap into marriage with Lenny but it wouldn't be right (at least at this time).  He stands up, too, but puts his hands in his pockets, understanding and accepting what she's saying.  She tells him he's a "great friend and a real sweet guy."  She hugs him and his hands struggle helplessly in his jacket, unable to hug her back, a sight gag that gives the audience the release of more laughter, while fitting the scene.

Both Marshall and McKean play the scene perfectly, hitting all these different tones.  At the time, I don't think there was a conscious Lavenny thread for the series (if there ever was), but this is probably the episode where such a ship becomes plausible.  Even if you think Laverne's feelings are platonic, her fondness comes through, and I think it's arguable that this is the episode where Lenny begins to be smitten, not just having a casual lust for his old friend.  And of course, it would not be the last time he'd propose to her.  Even if you don't ship Laverne & Lenny, you have to admit that this scene humanizes him in a way we haven't seen before.

When Shirley returns, she says that Squiggy told her and she thinks it's "the most beautiful, wonderful, adorable thing she's ever heard of in her whole life."  However, she is not a Lavenny shipper, so when Laverne pretends she accepted, just to get a laugh, Shirley thinks Laverne is crazy.

In the last scene, Laverne silently tells her father she's not pregnant, then she and Shirley whisper the good news to Lenny and Squiggy respectively.  Frank tells Edna, and they embrace, although I'm not clear if they're a couple yet.  (Remember, this is the first scene we see of them together.)  Shirley whispers to Carmine, who's got his regular gig singing at the Pizza Bowl.  He breaks into "Hallelujah," and Shirley, Squiggy, and Lenny join in.  Squiggy puts his hands on Shirley's shoulders from behind, and she doesn't push him away.  An embarrassed Laverne buries her face on Lenny's chest.  And the episode ends there, perhaps forever changing the game, or is this just a blip?  Stay tuned....



*In January 1975, The FCC established the Family Viewing Hour, which tried to move "sex and violence" out of the 8 to 9 p.m. block of television.  It was repealed on November 4, 1976, shortly before this episode aired, but wouldn't officially become null and void until the next season.  You'll notice that when Three's Company originally aired in the Spring of '77, it was at 9:30 on Thursdays.  Racier innuendo aired in the 9 to 10 p.m. block, while "wholesome" shows, like Garry Marshall's Happy Days and Laverne & Shirley, had to be less direct.  A typical early Three's Company joke would be Jack telling Chrissy he's so depressed that he "can't even raise a smile" when he walks in on her showering.  That would be too out there for Laverne & Shirley, at least at this point.

Monday, September 30, 2019

"Fakeout at the Stakeout"

"Fakeout at the Stakeout"
Image result for "Fakeout at the Stakeout"April 13, 1976
B

This is arguably the funniest episode of the first season, especially the stuff with Lenny & Squiggy.  I laughed heartily when Lenny said they were wearing their "detective" outfits because they didn't want to attract any attention, since it made me think of even nuttier schemes and crazier clothes they would come up with over the years.

Also, I thought the romance between Laverne and Officer Norman Hughes was sweet.  Bo Kaprall is credited as Cop here but his full name (including middle) is given in the episode and it's nice that he'd back six more times.  He's not a hunk, by '70s standards or now, but he's cute and nice, and he likes Laverne's sense of humor.  She could and would do worse.

There aren't any other shipping notes I can make, as this seems to be set after the Carmine & Shirley breakup, as he's now working at the dance studio, and the only thing I can say about L & L or S & S is that Lenny is amused by Laverne's mild put-down of Squiggy, which isn't exactly romantic.

More memorable are Shirley's "pets."  The two birds, Duane and Eddy, had appeared in the episode after their introduction, while here there's at least one of them, whichever one is chirping as the girls discover the break-in.  Also, Boo Boo Kitty makes a debut, in what apparently was just an improvised bit in rehearsal but would go on to be one of the props most associated with this show.

Neil Thompson's first of four roles on the show is as a nameless Man.  I'm glad that Deborah Leschin would write five more episodes.

Angel Face

Once again, I'm reluctantly writing another non-obituary for a star of Laverne & Shirley .  Three times in just over three years is ...