Showing posts with label Season Four. Show all posts
Showing posts with label Season Four. Show all posts

Monday, December 9, 2019

"Shirley and the Older Man"

Image result for "Shirley and the Older Man"
"Shirley and the Older Man"
May 15, 1979
C+

Barry Rubinowitz wrote this story where Shirley is platonically dating a rich, older man, played by 65-year-old but still distinguished-looking Robert Alda.  I might've gone with a B-, but the last line has Laverne saying something about how you can only tease a man for so long before he hits you in the eye.  (Laverne has been away in Chicago for most of the episode, balancing out a bit the episodes where Shirley was mostly gone.)

Laverne & Shirley - The Complete Fourth Season (dvd, 2008) BrandSusan Barnes has her first of four L & S roles as Adele Harrison.

Season Four of Laverne & Shirley ranges from C to A-, averaging out to a B-, like the first three seasons.  (I'm counting the hour-long season premiere double.)  The series was #1 in the ratings again, although this time Three's Company was #2, while Happy Days tied with Mork & Mindy.  ABC, sitcoms in particular, and admittedly mostly juvenile sitcoms (Taxi was an exception), ruled the airwaves in this time when cable TV still wasn't really a factor.  L & S mostly stuck to its winning formula of slapstick and sentiment, although there were moments when the characters pushed against their not quite Flanderized characterizations, like Shirley as a stripper or Lenny as a sensitive soul.

I recall Season Five as much the same, and it would be the last to take place entirely in Milwaukee.  We'll see next week how my vague memories match up to reality....

"There's a Spy in My Beer"

Image result for "There's a Spy in My Beer""There's a Spy in My Beer"
May 8, 1979
C+

Julie Mishkin's only writing credit is for this episode where no one believes that Laverne saw a spy trying to steal the formula for a diet beer.  I'm not sure, but I think this may be the episode with the most scenes set at the brewery.

G.W. Bailey, who would start his recurring M*A*S*H role as Sgt. Rizzo that Fall, plays Rocko the guard.

"The Tenants Are Revolting"

Image result for "The Tenants Are Revolting""The Tenants Are Revolting"
March 13, 1979
C+

This is Rob Harris's only IMDB credit and while the episode is fine, it's not anything special.  I was mostly only interested in the fact that it's again freezing outside, although boiling inside due to the malfunctioning radiator.  (OK, and that this means the girls wear skimpy clothes most of the episode.)

Rose Michtom returns as Mrs. Kolcheck, not only crushing on Carmine but impacting the plot.  Richard Libertini plays one of his colorful characters, here the hypnotic Dr. Rex Romano.

Sunday, December 8, 2019

"Feminine Mistake"

Related image"Feminine Mistake"
March 6, 1979
B-

In this Chris Thompson story, Laverne decides to act more feminine to win over her latest crush, Joey Mitchell (a young Jay Leno, who'd play Bobby Bitts in the last season).  She gets advice from Shirley, including the Shirley Shimmy (seen on several earlier episodes).  But Laverne realizes in the end that she needs to be herself, and that she is a real woman.  Also, she says that Shirley is fine the way she is. 

Bum Jack Perkins previously played a Patient and a Bartender, and it looks like he usually was a bartender or a drunk on '70s shows.

"Squiggy in Love"

Image result for "Squiggy in Love""Squiggy in Love"
February 27, 1979
B

This episode written by Barry Rubinowitz was Penny Marshall's directorial debut and she gets some nice performances out of the five regulars (Frank & Edna are absent), self included.  Squiggy falls for a gorgeous woman who uses him, and while the girls and Lenny are all concerned, it is Shirley who is most protective of him.  Squiggy at first thinks Shirley is jealous, since we know that he's convinced Shirley is in love with him.  She is affectionate with him, allowing him to put his arm around her and touching his knee, but she's more sisterly than romantic.  Still, this is progress for their relationship.  Note that Lenny misses hanging out with Squiggy, who thinks that Lenny is the "thing" that Shirley believes Squiggy has lost, when it's actually his pride.

Related image
In the subplot, which does actually connect with the main story (they don't always, and not just on this series), Shirley worries that her relationship with Carmine is getting stale, especially compared to Laverne's offscreen continuing romance with "Ted Nelson, fireman."  Then Squiggy helps her see how lucky she is to have a long-term, caring relationship.

Note that Marshall, Williams, McKean, Lander, and Mekka all had appeared on Happy Days earlier that evening, for "Fonzie's Funeral: Part 2," which I probably haven't seen since the '80s.

ETA: I found a blurry copy of that HD episode on Daily Motion and skimmed ahead to the 16 minute mark.  Carmine does a dancing tribute to Fonzie, then Lenny and Squiggy come in with a wreath and Squiggy says that Fonzie "was the nicest guy whatever ever beat me up."  Laverne and Shirley enter and Laverne says Fonzie "was the only guy who hickeyed his initials on my neck."  Laverne wants one of Fonzie's boots and tries to leave her blouse for him, but Shirley stops her in both cases.  She does rip Laverne's L off and place that on the boots.

Then Howard Cunningham introduces the Knapp Street gang to "the widow Fonzarelli," i.e. Fonzie in disguise as his own mother.  Lenny asks, "Does she know?", so Laverne elbows him.  The KSG do not one but two double-takes at the resemblance between Fonzie and his mother.  And they leave after four minutes.  Shipping note: Carmine puts his hand on Shirley's shoulder and arm, and then they lightly embrace on the way out.

So not a huge crossover, but certainly interesting.  (It looks like both Arnold and Al are there, too, but I'm not going to watch the whole episode.)

"Fire Show"

Image result for "Fire Show" laverne"Fire Show"
February 20, 1979
B-

This episode, written by Jeff Franklin (his first of thirteen), is not the more famous episode where Laverne dates a fireman played by Ted Danson, but rather one where the girls compete for a cute firefighter, who seems to stand Laverne up, so she goes on a platonic date with Carmine, which the boys misunderstand, so Shirley goes out with the firefighter, and then there's competitive makeouts, interrupted briefly by Anne Ramsey.  Besides some Laverne/Carmine obviously, and the reveal that, according to Shirley anyway, she's allowed to date other men and Carmine is allowed to date ugly women (which implies she definitely doesn't see Laverne as ugly), Lenny and Squiggy try to help Laverne deal with being stood up, and Lenny tickles her a lot.

Rose Michtom returns as Mrs. Kolcheck.  Note that although the previous episode was set in the spring, this one is so cold that Laverne tries to thaw out Carmine with a hug that makes Shirley suspicious.

Tuesday, December 3, 2019

"Lenny's Crush"

"Lenny's Crush"
February 13, 1979
B+

Sit down, it's time for deep, penetrating analysis (and other innuendos)....

In 1979 it's the day before Valentine's Day, but in '61 it's already baseball season.  The gang (minus Edna) and a bunch of extras have gathered in the girls' apartment to prepare for "Shotz Day" at the Braves ballpark.  (The team would move from Milwaukee to Atlanta later in the '60s.)  Shirley is cranky, so Laverne sends everyone home.  Carmine tells "Angel Face" she's beautiful when she's cranky, but she denies being cranky.  And that's it for Shirmine, and Carmine, this episode.  As for Shirley, she goes to bed, still cranky and denying it.

Squiggy lingers with the Beehive Girl (still uncredited), telling her, "Keep drinking, it'll make it easier."  When Laverne makes them leave, Squiggy tells BG that they'll have the apartment to themselves, since his roommate won't be home tonight.  Then he tells Lenny not to come home.

Lenny asks Squiggy to see if she has a girl for him, but BG whispers to Squiggy that Lenny is a little too weird-looking, which Squiggy tells Lenny.  Laverne looks sympathetic.  Squiggy escorts BG out, saying he has a moth collection that will look great in her beehive.

Trying to cover up the hurt, Lenny asks Laverne if she needs a weird-looking guy to help her clean up.  She says he has a lot of things going for him, although it takes her awhile to come up with any.  She calls him a real sweet guy, which is what she said when he offered to marry her during her pregnancy scare.  She adds that he's even better-looking than Squiggy, which he's surprised by.

He asks why Squiggy is such a "San Juan" with women and she says that it's because Squiggy finds girls who like the same disgusting things that he does.  Then she has him sit down, which he does exactly the same way she does, putting one leg over the back of a chair.  She tells him he has to find a girl who likes the same things that he likes.  He says no girls like sports or monster movies, but she says some girls like both, especially her.

She takes his hand and leads him to the living room, then she turns and asks if any of what she's saying to him is getting through to him.  It is, but not how she thinks.  He tells her he thinks he's found someone, and she's happy for him.  He asks her to go to the baseball game with him the next afternoon, and she says everybody's going.

He gets his guitar and plans to sleep in the gutter, apparently not for the first time.  She pats his arm and says he can sleep on the couch.  He thanks her and says she talks real good.  She says he talks real good, too, especially when he doesn't spit.  She grips his arm and tells him to not forget that he's a real sweet guy.  She goes to give him a kiss on the cheek, but he turns his head so that it lands on his puckered lips.  She reacts like it's the usual thing of him trying to steal a kiss, although she's more amused than annoyed.  She tells him, "You don't kiss bad either."  He stares after her as the scene ends.
Image result for "lenny's crush"
The next morning, Shirley wanders into the living room in her full slip and doesn't immediately process that Lenny is there.  Then she hides behind the kitchen counter and accuses of him being there to see "half-naked women" and she imitates his wrist-biting.  He says he's outgrown that.

Shirley calls to Laverne, who yells back that she's shaving her legs.  Lenny sighs, "The voice of my beloved."  Shirley covers herself with a dishtowel and asks what Lenny is talking about.  He says he knows when he's been kissed and he and Laverne are "sort of a hot item."
SHIRLEY: The day you and Laverne are a hot item is the day that pigs fly.
LENNY: Better clear the runway, Shirl, 'cause there's a pork roast comin' in at twelve o'clock high.
She's understandably skeptical, and he admits that it's unbelievable, "but just when you least expect it, love walks through the door."  So of course Squiggy bursts in and angrily says, "Hello!"

He says he was "a worried stiff," thinking Lenny had been washed out of the gutters and to the waste disposal plant.  Lenny says he had himself quite a night last night, so of course Squiggy assumes something happened with scantily clad Shirley.  Squiggy says that he hopes that Lenny had a good time, and he sounds jealous.  Then he confides, "I could never get her clothes off."

Shirley proudly says that no man has ever had a good time with her.  Lenny tells Squiggy that Cupid's arrow got him and Laverne right between the eyeballs, and he points on his own head.  In case there were any doubts about where Squiggy is on the Lavennist Scale, he sincerely calls this great and terrific.  And then as he and Lenny are heading out, he asks, "How was she?"  Lenny innocently says, "Fine, yourself?"

Once the boys are gone, Shirley insists that Laverne come into the living room.  Laverne is annoyed that Shirley was using Laverne's razor to clean carrots again, and we can see lots of cuts on Laverne's legs.  Shirley tells Laverne she'll clot and she insists on knowing what went on with Lenny last night.  Laverne admits to "a quiet, gentle kiss, the kind you give a little baby's boom-boom."  Shirley says the kiss was enough to send Lenny "across the border into Loveland with" Laverne.  Laverne says that Lenny has always liked her a little.  Shirley says that Lenny has a serious crush on Laverne.

Laverne doesn't think it's a big deal, so Shirley tells the story of Ned Sterns, with Laverne confusing Ned with other guys, including Allen Steckler, who chewed socks and who I believe was mentioned on some episode where Shirley owed Laverne a favor.  Shirley led Ned on and then her rejection led him to become a doctor, a hunky doctor.  (This seems like a pretty dubious story to tell, since she lost what sounds like just her type.)

Shirley warns Laverne that this will "snowball into something big" and Laverne will "hurt that boy," but Laverne is skeptical.  And then Lenny comes back for his guitar.  Laverne thinks he'll be amused by what Shirley thinks, but he says he doesn't care what the world thinks.

And then he serenades her with perhaps the best McKean-penned song of the series, "In Love with Laverne."  Laverne reacts with shock, while Shirley sees this as the disaster she predicted.  Lenny sings of how Laverne is superior to the pyramids, the Sphinx, and mink coats, and he points out the irony of searching around the world only to "find your special girl in a basement, in your own backyard."  And Laverne wants to speak up, but she waits for the song to end, and then she says, "Laverne who?"  Which makes him guffaw.

(It should be noted that the audience not only claps and cheers but whistles after the song.  Are they reacting to McKean's talent or do they on some level want Laverne & Lenny to get together?  Or are they just terribly amused?)

Shirley says, "Ned Sterns, Ned Sterns," and Lenny looks at Laverne with a goofy, infatuated expression.  Laverne is understandably conflicted.

So we cut to the Braves Stadium and some stock footage.  Up at the very top of the stands, the Shotz crowd has gathered.  Lenny has bought Laverne a corsage and he goes to get her a hot dog even though she doesn't want one.

Squiggy, who's wearing a pirate hat because the Braves are playing the Pirates, asks Shirley, "Don't Laverne and Lenny make a lovely couple?"  They remind him of Fred and Wilma Flintstone.  "Before we know it, bamm-bamm.  Heh heh."  Shirley, who agrees with him about Lavenny as much as she does about the Pirates, says he has Bedrock for brains.

[I run to Wikipedia and find out that unlike, for instance, the reference to My Mother the Car, this one is not actually an anachronism, since The Flintstones had premiered in September of 1960.  However, Bamm-Bamm wouldn't show up until '63.]

A guy named Rusty, apparently an acquaintance of Laverne's, sits down and asks her on a date.  She says she's available Sunday through Saturday, so he suggests Tuesday at 8:00.  [A not so subtle plug for the ABC Tuesday line-up?]

Lenny challenges the "snake in the pants" to a duel and Squiggy immediately offers to be Lenny's second.
LAVERNE: Don't be stupid!
LENNY: It's too late for that, Laverne.
Lenny "demands satisfaction" and slaps Rusty across the face with the hot dog, to Squiggy's delight.  (Seriously, Lander looks genuinely amused, instead of deadpan like earlier.)

Rusty hits Lenny, who sinks onto the stairs.  Laverne hits Rusty with an inflatable bat and tells him to go away but also says she'll see him on Tuesday.

Laverne asks Lenny what he was doing, and he says he was trying to protect "his woman."  When he realizes that she did want to go out with Rusty, he says, "You make it kind of hard to love you, you know that, Laverne?"  And he leaves, handing her the hot dog.  Squiggy comes over and says, "Aww, your first lover's squabble," then he takes the weiner out of the bun and eats it.  Shirley tells Laverne she knew this would happen.

In the next scene, Laverne glumly takes off the corsage.  Shirley comes back from getting Lenny to agree to come downstairs.  She says he was hitting himself in the head with a Polish sausage, screaming, "Pigs don't fly, pigs don't fly!"

Laverne thinks that Lenny and everyone hates her, but Shirley reassures her that no one hates her and that this can be set straight.  She refuses, however, to help set it straight, especially since Ned cried like a baby.

After Shirley leaves, Laverne considers telling Lenny through the dumbwaiter but decides that this is a little impersonal.  She starts to pour her comfort drink of milk & Pepsi, but Lenny storms in and orders, "Shut up, sit down, listen to me."  He grabs her hand and throws her on the couch, but he sits on the back of her thighs.  He then reads her a note that starts, "Shut up, sit down, listen to me."  He accuses her of lying to him, hurting his feelings, getting him punched out, and getting mustard on his best jacket.

When he's done, she asks him to get off her legs, so he does and they sit on the couch, but not as close as usual.  He hands her the note and she points out that he misspelled mustard.  He thinks he put too many O's.  She apologizes for not telling him sooner but she didn't want to hurt his feelings.  He says she hurt them anyway.  She says she'll make it up to him, so he asks her to be his girlfriend.  When she says she can't, he asks her to be his wife.  (I don't know if this counts as one of his many proposals, but if it does, it's probably the simplest.)

When Laverne rejects him again, he yells that she lied to him and he tries to hide under the coffee table.  The lie was that if he found someone he had things in common with, that girl would be the one for him.  She admits she was wrong.  She says he needs something else.  He says he'll run right out and get it for her.  She pulls the table off him and has him sit next to her on the couch again.

LAVERNE: You know that special somethin' that happens between a guy and a girl?
LENNY: (looking utterly vulnerable) Yeah, I got that for you.
LAVERNE: (as if this is painful for her, too) This is the hard part, Len.  Sometimes only one person has those feelings.
LENNY: (as it sinks in) So you hate me.
LAVERNE: No, I don't hate you, Len, you big dope.  I love you!
He's excited, but when she says it's as a friend, he tries to crawl back under the coffee table.

She tells him that girlfriends come and go, but real friends, like him and Squiggy, or her and Shirley, go on forever.  He suggests other pairs of friends, from Heckle & Jeckle (referred to on multiple episodes) to "Edgar Bergen & Joseph McCarthy."  [And that is probably the joke I remember most from this episode, go figure.]  Lenny thinks it over and agrees, over a handshake, to be friends.  Laverne says she feels better, but Lenny doesn't.  So Laverne tries to crawl under the coffee table.

They agree to go see Godzilla on Monster Island together as friends.  [This is especially impressive since in the real world that movie wouldn't come out until 1972 in Japan and '77 in the U.S.]  They're both excited about it and he again thinks they have a lot in common.  She says his name warningly and then tells him, "Put it on," meaning her coat, so he puts it on himself, just to break the tension with humor  Then they shake hands as friends again, and he pulls her off to catch the cartoon before the movie.

And then there's one of those tags that are not throwaways.  Squiggy is playing Animal, Vegetable, or Mineral with the girls and apparently he always chooses lettuce.  Lenny comes in with a girl named Bridget and points out Laverne, "the girl I dumped for you."  He tells Squiggy that he'll need the apartment that night and then he and Bridget leave.

Even though Bridget didn't say anything and was there only long enough to glare at Laverne, Laverne says, "I don't know if she's good enough for him."  Squiggy tells her that she's jealous because she's "just seen two people very much in love, just like me and Shirley."  And he drapes his arm on Shirley's shoulders.
SQUIGGY: Our hearts, they beat as one.
SHIRLEY: The day you drop dead.
Then she goes over to scold Laverne about wanting to lead Lenny on again.  It's hard to hear Laverne over the wrap-up music, but she seems to be saying that Bridget is too short for Lenny.  The top of Bridget's bouffant looked to be on a level with Lenny's chin.  McKean was six inches taller than Marshall.

So what just happened here, in less than twenty minutes of screen time?  (But a lot longer to write up.)  We can guess that Edna would've felt bad for both Lenny and Laverne but given advice even more sensible than Shirley's.  Frank would've yelled if he knew how Lenny felt, while Carmine probably would've been amused.  It's clear where Shirley and Squiggy stand on Lavenny, and that Squiggy ships himself with Shirley and she definitely does not.

But what's going on with Lenny and Laverne?  Let's start with him, because we can assume that's more straightforward.  He's been interested in Laverne since high school and he often tries to grab and/or kiss her.  He considers her smart, pretty, and the classiest girl he knows.  He was willing to talk about his mother to help her deal with her grief.  Prior to this episode, he would've described the two of them as friends.

But something shifts here.  He has feelings he didn't have before.  We see that in his body language in the living room, as she thinks she's just giving him a pep talk but he starts seeing her, and their relationship, in a new way, finding what he's been searching for.  (And there's something poignant about a working-class guy who's probably never traveled further than New York thinking he's looked around the world for true love.)  He thinks he's in love, and he assumes it's mutual, until he finds out otherwise.

Image result for ads for three's company 1982And when she offers him friendship, real friendship, he accepts it.  What choice does he have?  She's not going to go out with him except platonically.  But it's not like his feelings just die.  He may be pretending to have moved on, but notice, he made a point of bringing Bridget by the girls' apartment, when he could've talked to Squiggy more privately.  Is he trying to make Laverne jealous, or does he just want her to know he's not hurting anymore?  As I recall, subsequent episodes would show that Lenny still is emotionally and physically attracted to Laverne, and it's not like they suddenly don't have things in common.  How he handles this over the next four and a quarter seasons will be interesting to trace.

And what about Laverne?  Prior to this episode, she has been growing closer to Lenny, in this season ranging from their little connection at the dog pound to their bonding over a lack of a mother.  And of course there was their magical if disastrous night at the debutante ball.  (It's worth noting that Judy Ervin, the screenwriter for this episode, co-wrote "The Debutante Ball," so it's fair to say that she was an in-house Lavennist.)  This is not the same relationship they had in Season One or even Season Three.

Was it all platonic?  Were they, are they, just good friends?  On his side, no, but what about hers?  And here we have to discuss the tricky subject of Marshall & McKean's chemistry, tricky not because they don't have any-- they clearly do-- but because, while I sincerely believe they didn't cheat on their spouses with each other, that doesn't mean that there isn't something special and, yes, romantic about how they interacted onscreen.  So even when their characters weren't supposed to be flirting, that's not always how it looked.

If they were simply very good actors putting in subtext, at their own whims or at her brother Garry's secret orders, the question is why?  Why tease the audience like that?  It wasn't a canonical pair, or a will-they-or-won't-they Tony & Angela situation.  Even Jack/Janet on Three's Company was something that the audience was deliberately teased about off and on for eight seasons.  As far as I recall, there were no print ads or promos that suggested that Lenny & Laverne were "finally" getting together.  And yet, audiences then and now picked up on Lavenny.

So let's go back to Laverne.  The episode is telling us on the surface that the attraction is one-way.  Laverne herself gently says that to Lenny.  But, as with the double date, where she had a great time until Lenny wanted to have another date, Laverne seems to only be attracted to Lenny if she is unconscious of it.  She thinks she loves him as a friend, which I don't doubt after the "cemetery" episode, if not before.  And she wants to spend time with him, and he's not a bad kisser.  But she tells herself she can't think of him that way, even though we know that she's dreamed of marrying him, admittedly in the distant future.  And way back in Season One, she was willing to have sex with him when she thought they were going to die.

But OK, let's take her at her word.  She wants a strong platonic friendship with Lenny.  Maybe she's just protective of him when she thinks Bridget isn't good enough for him.  But she's going to base it on height?  After being attracted to Shirley's 6'2" blond brother, she's going to think Bridget isn't a good match for Lenny?  And this isn't the worst, or shortest, girl Lenny has gone out with, so why the concern now?  Shouldn't she at least want him to have a nice rebound to get over her?  Or does she miss him having a crush on her, even if she couldn't handle it?

As with Lenny, I'll need to gather more evidence as we go along.  But, yeah, all that stuff about pork and hot dogs and Polish sausage, is definitely TV Freudianism.

Carl Gottleib had played the Station Master on "Bus Stop" but this is his only directing gig for the show.

ETA pics showing Bridget and Laverne's reactions to each other:


I'd say Squiggy looks mildly surprised, Shirley wary, and Laverne in shock.  And Laverne does do a hand gesture indicating shortness at the end of the scene.

"Supermarket Sweep"

Image result for supermarket sweep laverne and shirley"Supermarket Sweep"
February 6, 1979
C+

Ron Leavitt wrote this story (his only one for L & S, although he'd go on to create Married...with Children) where Laverne is the millionth customer at Slotnick's Grocery Store.  (The actor playing Mr. Slotnick, Byron Webster, was Warren Tompkins before.)  Shirley, as the boys pick up on, is jealous of Laverne's "fame, fortune, and groceries," so the girls agree to work as a team but then give up on that.  I liked the subplot better about them buying a huge male nude statue, which Laverne breaks offscreen (without explanation), and then they have to sell it to Mrs. Babish because it reminds her of her "first ski instructor."

Security Guard Jack Lukes previously was Guy #1 but would play characters with names later.  If I recall correctly, Frank didn't appear and was at some sort of pizza convention, although IMDB credits Foster for this episode.

"The Third Annual Shotz Talent Show"

Image result for "The Third Annual Shotz Talent Show""The Third Annual Shotz Talent Show"
January 30, 1979
C+

This episode written by Nathan & Price is the weakest of the three "Shotz talent show" episodes so far, with even the Lenny & Squiggy song unmemorable, although I do still enjoy Edna's "Plenty of Gin" audition number.  (It's that and Frank's lousy ventriloquist act that I remember most from the time.)

The main shipping note I have is that Shirley suggests taking the kiss out of "The Wedding of Jack & Jill," but Laverne (who will be Jack this time, unlike when they worked in a shoestore) thinks they should leave it in.  Oh, and Carmine & Shirley flirt, but I'm just not that invested in them.  I will say that I do feel sort of sorry for Carmine this season.  He didn't get to go on his favorite game show and he couldn't audition for West Side Story because all the male parts had been cast at that point, and now directors Lenny & Squiggy steal his act for the talent show.  On the other hand, he does own his own business, which presumably is going well if he can get his students to adopt all those dogs on the "pound" episode.

Harry Shearer is uncredited but that's clearly him reprising the voiceover role of Max Shotz.

"Who's Papa?"

Image result for "Who's Papa?" laverne and shirley"Who's Papa?"
January 16, 1979
C+

I thought at first that this episode would be the one where Shirley's brother (played by Ed Begley, Jr., Cindy Williams's long-time friend who would later write the introduction to Shirley, I Jest) turns out to have a drinking problem, but Bobby doesn't do much other than show up and inadvertently lead to Shirley's crazy fear that she's adopted.  Luckily, that other "Bobby" episode came along later in '79.

In this one, written by Aidekman and Zoey Wilson (her only IMDB credit), Bobby is visiting for the first time in two years.  We find out that he's 14 months older than Shirley and their mother used to dress them like (male) twins.  They have three older brothers-- Michael, Timothy, and Christopher-- so presumably one of them is the one who recently graduated from heavy equipment school.  And nearly everyone is the family is very tall and blonde, while Shirley more resembles Squiggy, who becomes convinced that Shirley is his long-lost sister.* 

Squiggy, continuing Season Four's trend of twisted sexuality, feels unclean for his dreams about Shirley, and then when he finds out that they're not related, he's relieved that their children won't be morons.  Laverne says, "Don't count on it."

And, yes, Lenny & Laverne sit on a cot together, but she later kisses 2000 sailors goodbye!  And, yes, a sexy female nurse flirts with "Dr. Feeney" when Shirley is in drag.

Maurice Bar-David would direct one more episode.  Wendy Cutler is Mrs. Plout here and would be Viviana in the final season, while Reception Nurse Dee Marcus would be Esmerelda that season.  Ron Howard's father Rance plays the sympathetic but nameless Doctor.  And Carmine is absent again.


*We already know that Squiggy has a married sister he used to live with.  Lenny claims not to have a sister, but I thought he did.  We'll see if that's retconned later.

"O Come All Ye Bums"

"O Come All Ye Bums"
Image result for "O Come All Ye Bums"
December 19, 1978
C

I actually prefer "Oh, Hear the Angels' Voices" as a Christmas episode to this meh entry written by Price & Nathan, since that had Howard Hesseman and more memorable musical numbers.  Even Squiggy and Lenny as respectively an elf and a fairy doesn't save it.  The not-quite-O.-Henry ending of Laverne and Shirley exchanging Elvis pictures that they've autographed was my favorite moment.

Hamilton Camp plays the lead bum, Rags, but he doesn't make the sort of impression he would on Three's Company or M*A*S*H, among other places I know him from.  The role of the bratty Kid is Scott Marshall's only L & S appearance, although the then nine-year-old son of Garry had already been on Happy Days four times out of his five and would do two cameos on Mork & Mindy.  Wayne Powers seems to be playing a completely different Policeman than in the "dog pound" episode, since he has no memory of meeting Laverne, unless this is set before that.  And Lynne Marie Stewart's third part on the show is Sister Sarah.

"It's a Dog Life"

"It's a Dog Life"
December 12, 1978
C+

Well, what's going on subliminally in the first scene of this Judy Ervin story is a heck of a lot more engaging than Shirley's and a more reluctant Laverne's protest at the dog pound.  Laverne and the boys have gone looking for Squiggy's Uncle Elliot's dog, Meatball, but Shirley befriends a supposedly vicious dog named Fritz, who's going to be put to sleep soon.  I called it early on that the young cop (Wayne Powers, in his first of four L & S roles) would ask Laverne out, and Shirley smooching Carmine in gratitude was to be expected, but I was of course far more fascinated by the dynamic between Laverne & Lenny, or arguably Marshall & McKean, at the pound.

I can understand Laverne patting Squiggy on the back when he's worried about Meatball, but why are L & L touching and smiling so much?  It makes no sense for the scene or the characters.  I mean, look at Marshall's grin there!  Not only that, but Laverne has a completely different attitude towards Jeffrey the stuffed lizard than she did in the first "Hi, Neighbor" episode, now holding it and explaining it to the authorities, and if this isn't Freudian television, then I need to turn in my degree from six years at Robert Hartley University.

Murphy Dunne is a nameless reporter here and would have two more parts on the show.

"Dinner for Four"

Image result for laverne and shirley "Dinner for Four""Dinner for Four"
December 5, 1978
B-

Alan Aidekman's first of eleven L & S stories has a twist that I saw coming almost immediately, and I don't think that's Sitcom 101; I think it was a vestigial memory of watching the girls think that the two veterinarians who've invited them over want them as dates, rather than "kitchen help."  It isn't said in so many words, but this is a class clash episode, this time the two working-class girls being used for their culinary talents rather than for their bodies.  The girls are impressed by the not-all-that-modern-for-early-1960s-or-upscale apartment.  I mean, this isn't Catcher Block's bachelor pad from Down with Love!  Even the Murphy bed throws them, literally. 

It's sort of surprising that Laverne is the one most interested, to the point of presenting her wifely credentials, in going out with a vet, because that seems more like Shirley's thing, since she loves animals and doctors.  When Laverne says that vets are better than regular doctors, since they won't fool around with their patients, Shirley whispers a story she read about a vet who married some animal, to which Laverne says in delight, "That's disgusting!"  (Along with the "King of Bondage" scene on the "cemetery" episode, as well as much of the "Roxy" episode, the show was definitely getting kinkier in Season Four.)

Image result for laverne and shirley "Dinner for Four"In order to go out with the vets, the girls break a date with Lenny and Squiggy, who are heartbroken, Lenny in particular, as he was hoping to do the three-legged race with Laverne.  The girls apologize later, after Shirley finds herself quoting Lenny's Merchant-of-Venice-like "Do we not bleed?" speech.  The boys say that no one has ever apologized to them before, but when the girls promise to go anywhere the boys want to take them, Squiggy steers Shirley into the bedroom, and Lenny escorts Laverne.  The girls hit the boys offscreen and then when the boys reemerge, Squiggy asks what Lenny got off them.  Lenny says, "Nothin'," and Squiggy says, "That's progress."  And in a weird sort of way, it is.  The girls definitely seem more tempted to go to the Teamsters' Annual Fish Fry and Moonlight Mud Fight than they did to go to a fancy restaurant on the double date a couple seasons earlier.

The oddly named Timothy Blake has her first of three L & S roles as Veronica, while Jeffrey Kramer, who's Jeff here, would be The Angel later.  Carmine is absent without explanation, but there's not really any need for him in this episode.

Monday, December 2, 2019

"Laverne and Shirley Move In"

Image result for "Laverne and Shirley Move In"
Goat chow and a unicycle?  OK, not completely unfurnished.
"Laverne and Shirley Move In"
November 28, 1978
B-

Paula A. Roth wrote this story that flashes back to approximately December 1956 (six months after the girls graduated from high school) and got the very unfurnished apartment.  (No appliances!  No wonder they wanted to win a stove on the game show.)  Shirley tells the story to Mrs. Babish, so everyone but Mrs. B has to play their four-years-younger selves, which ranges from Foster not even bothering to do something about his mustache, to McKean giving his all to a barely post-pubescent version of Lenny, voice cracking and everything.

Mr. DeFazio is the typically old-fashioned Italian father who doesn't want Laverne to move out, but Shirley's (unseen and unheard) mother is moving to California and expects Shirley to go with her.  Frank finally realizes it's time to let the girls grow up, and he will be just around the corner.  He also tells Shirley that he and Laverne will now be her Milwaukee family.

We learn that Carmine has been dating Shirley all through high school and has given her his class ring.  He plans to "say goodbye" to her in a backseat.  And yet, we also get Shirley insisting that Laverne make a vow to never touch Carmine's chest.  (And I went Aha, then the "Roxy" scene was even more significant than I realized!)

Yes, there is L/L on this episode, and indeed S/S, but it should be noted that the boys stalked the girls to the apartment building, so they haven't changed much since we saw them in the "Anne-Marie and Hector" flashback to approximately '54.  As for the L/L, there's a scene that's very famous to Lavennists (it's at both https://santaburger57.wixsite.com/lands/lavenny and https://ship-manifesto.livejournal.com/190382.html), and yet, as I've known since watching the "Top 10 Lavenny Moments" video (https://www.youtube.com/watch?v=o0K13cTMNLE&t=272s), they've got the quote wrong, and it really does matter in this case.

Here's how the exchange is presented at the Ship Manifesto page--
LENNY: I defy you to look into my eyes and tell me you can resist me, Laverne.
LAVERNE: (looking into his eyes) I can resist you.
LENNY: (aside happily to Squiggy) She'll do whatever I tell her to!

But in fact, with one of those Lenny-and-Squiggy patented mistakes (see "State of Milwaukee" for instance), he actually says "defile," which puts a whole extra spin on it.

As for Squiggy, he not only rhetorically asks Laverne, "Yeah, but without her, what good are you?", he also says that Shirley was his last hope for a short woman.

Anyway, the episode is a little uneven and the device of Mr. DeFazio "bimonthly" pretending to be a prowler is a strange lead-in, but this is definitely an episode that you need to watch for extra backstory.  (Although I'm sure some things will be retconned later.)

Oh, and note that apparently Frank and Edna have never spent the whole night together, because he's very surprised by her face cream.

"Chorus Line"

"Chorus Line"
November 21, 1978
B-

Marc Sotkin wrote this, another episode where Shirley goes on a trip, this time only showing up in the tag.  It's not like the eighth season, where Cindy W. left the show (more about that later of course), but I don't know what was going on here.  (Contract dispute?  In a play?  Working on More American Graffiti?)  It doesn't impact the plot much, but it does mean that Laverne is relying on her male friends more than usual for the middle of the series.

Laverne wants to go to Chicago to audition for West Side Story.  Her father discourages her and refuses to loan her money.  Lenny & Squiggy agree to be her agents in exchange for a ride to Chicago.  Carmine, who of course has dreams of dancing success, goes as moral support and choreographer, especially after seeing the silly dance she does to the boys' deadpan rendition of "I Feel Pretty."  Laverne fails the audition but her father, who claims to be delivering a pizza in Chicago, cheers her on.

Image result for toni basil laverne and shirley
So fine you blow my mind, hey, Mickie!
The shipping notes here are obviously Shirley-less, but we do get some Fredna, with him asking and getting a big kiss.  When Squiggy wants to seal the deal with a kiss, Lenny kisses his forehead!  Earlier, the guys asked who was "handsomer," and the costumer seems to be stacking the deck with a black sleeveless T-shirt that shows off Lenny's arms and chest, not to mention the tight blue jeans!  Laverne diplomatically says both boys are cute.

But, yes, there is some Carmerne.  Not only does he teach her a dance routine, but he holds her hand when they arrive at the theater, and he gives her a shoulder massage when she's nervous.  Don't forget that not that long ago, she was afraid to touch his feet when he had a toe cramp and Shirley was out of town.  I feel like all this "don't touch Carmine" stuff is building sexual tension, but I don't know what the payoff if any will be, especially on an episodic rather than arced series.

The sympathetic experienced dancer who briefly befriends Laverne is played by 35-year-old Toni Basil, who had been dancing professionally almost since the actual 1960, and the character is named, with an irony that did not yet exist in '78, Mickie!




"A Visit to the Cemetery"

Related image"A Visit to the Cemetery"
November 14, 1978
A-

The best episode of the series so far (maybe ever) was written by Leschin & Duclon and it features just the core cast of seven, and although it is mostly about Laverne, everyone gets something to do.  In fact, Laverne is the last to enter in the first scene and we get a very silly-- and kinky!-- magic act, I think to lull us into expecting farce rather than dramedy, giving more impact when she comes in upset.

The Great Sguiggini and his "lovely" assistant Lenny are practicing a magic trick.  (Why?  I don't know.  Maybe there was going to be another talent show, or maybe they hoped to get rich quick.  Do we really need an excuse?)  Carmine and Shirley are playing along with it, because they seem quite content to be tied together by "the King of Bondage" and are smooching during the patter.  Squiggy throws his bedsheet over them and then Lenny reveals that Squiggy is now literally between Carmine and Shirley, and she's unknowingly kissing Squiggy.  I expected this to be Squiggy's plan all along, but he seems as surprised as anyone, although Shirley is of course revolted when she realizes. 

As Lenny tries to free them, Laverne comes in and then her father calls.  It's very slapsticky with the four friends clustered in the living room, yelling to Laverne and her dad, and we still don't know why Laverne is upset, but it seems to be related to her dad.  She tells Shirley to make the guys leave, and just her yelling, "Get out!" is enough to undo the knots.

Shirley drags Laverne down to the Pizza Bowl to make peace with her father, although we and Shirley still don't know what the issue is.  Edna has corralled Frank as well, and we see that the DeFazios are both stubborn.  They do make up, and we still don't know what the fight was about, and the viewer could assume that it's about Mr. DeFazio pressuring his daughter yet again about marriage.

Then it's revealed that he wants her to make the visit of the title.  Her mother's 50th birthday is coming up (so born in 1910?) and Laverne never goes to the cemetery.  She talks to Shirley about how hard it was growing up without a mother, learning all the "woman stuff," like how to shave her legs.  I vaguely remember this episode having an impact on me at age 10, like when Mindy would later talk about her mother on Mork & Mindy.  If you're a motherless girl (I lost mine when I was 3), you never do really get over it.  (Not that it doesn't affect boys, just not in the same way.)

Image result for "A Visit to the Cemetery" laverneShirley tries her best to relate, and we know that she has a difficult relationship with both her parents.  But it takes Lenny to really understand what Laverne is going through.  His abusive mother abandoned him when he was 5 and he says he was angry at her for a long time, and maybe Laverne is angry at her mother, too.  Laverne slaps Lenny for this and then immediately feels remorse.  They talk some more and she says, "You know, Len, for a guy who keeps falling off the roof [mentioned but not seen earlier], you got some pretty good smarts."

He smiles when he sees her come over to kiss him, but winces in advance when she heads towards the cheek she slapped.  She sees this and chooses the other cheek.  He giggles at the affection and she tells him not to.  And then he stumbles out of the apartment, maybe because he's clumsy or maybe because he is always really affected when Laverne kisses him.  As with the "proposal" scene in Season Two, Marshall and McKean play this whole scene just right and it adds an extra layer to their characters and to the relationship. 

Laverne does go to the cemetery, where Frank is talking to "Josephine."  He hugs Laverne and tells her she's beautiful.  Then he gives her some privacy and she talks to her mother, with a cute interruption from Shirley, to provide comic relief and show how supportive Shirley is.  Laverne even makes the silly face that used to amuse her mother.

And in the tag, everyone abandons Squiggy in a trunk for free beer at the Pizza Bowl, because this is still a goofy sitcom.

"The Bully Show"

Image result for laverne and shirley the bully show"The Bully Show"
October 31, 1978
B-

Chris Thompson wrote this episode that aired on Halloween and deals with an all too real scare: the threat of rape, although it's addressed in the usual cartoon setting of this show, rather than the realism of the attempted rape of Edith Bunker on All in the Family the previous Fall.  Compared to the way this topic was handled in Season One, there is definite progress, not that I'm completely happy with the episode, but it is better than, say, the way it would've gone on Three's Company.

Shirley goes out of town over night to see her unspecified brother graduate from "heavy equipment school."  At first, the worst thing that Laverne thinks she has to deal with is the accidental Manxing of Boo Boo Kitty when Carmine sits on the stuffed animal.  (If I remember anything about this episode from the time it's Carmine saying he "got the cat fixed.")

Unfortunately, Lenny and Squiggy are bullied into setting up their new foreman, Biff (Larry Hankin, who previously was the Tall Dancer on the taxi-dancing episode), with Laverne, who they've just boasted is "loose as a moose" and crazy about one or both of them.  He threatens to fire and beat them up if they don't get him a date with her.  Then they tell her that Biff will be taking her to a Man of the Year banquet.  (This is one of the episodes where Terry Buttafuco is referred to but not seen, here as their supposed next choice for Biff.)  Laverne decides she might as well go out with Biff.

He tells her she might see a "big trophy" by the end of the night and he soon makes his intentions clear.  Although Laverne has gone out with guys who've come on strong, we see that this is not the same thing, especially when he won't let her go out the door and he insists she take off her dress.  He is not asking, he is telling, and then demanding.  And Laverne later gives a little speech about how she chooses the "jerks" she'll be with.  It's played for laughs but it is also a feminist statement of consent, from a character who is not 100% pure (although probably still at least technically a virgin at this point).  She does her best to defend herself, through her intelligence and strength.  But when he plays on her sympathy, she falls for it, and he actually is on top of her on the couch when Lenny and Squiggy come in.

And that's where this episode is, if not problematic, at least not fully evolved.  And, yes, I am looking at this from a 21st-century perspective, as well as a literal child of the '70s and someone who knows quite a bit about the late '50s/ early '60s.  Lenny and Squiggy got Laverne into this mess and it is only Lenny's guilt, and fear of being seen as a coward, that bring them to the rescue just in the nick of time.  (At that, it takes all three of them to beat up Biff as an awkward team.)  Laverne is so grateful that she kisses, Squiggy?!  And then she finds out that the boys knew about Biff and she tells them that a friend should be more important than a job, "especially our jobs."

She does forgive Lenny and Squiggy, and they insist she throw them out to show that she still likes them.  And it's sweet, in a weird way, but let's not forget that even if the boys hadn't set up the date, they were spreading rumors about her in the break room at work, and they should know better about this, considering Season One's "Once Upon a Rumor."

In the tag, Laverne tells Shirley it was dull around there while she was gone, and Shirley finds out about Boo Boo Kitty's injury and repair.

Sunday, December 1, 2019

"A Date with Eraserhead"

Image result for "A Date with Eraserhead""A Date with Eraserhead"
October 24, 1978
B-

This confused and confusing episode was written by Judy Ervin and I'm sort of OK with that confusion and ambiguity, that things aren't neatly wrapped up in twenty minutes (subtracting credits and commercials).  Laverne thinks that Carmine is two-timing Shirley, and then it turns out that two years ago (presumably when they started dating again post-Lockwash), Shirley and Carmine agreed to have an "understanding" of what would later be called the "don't ask, don't tell" variety.  They see other people but don't want the details.  However, neither of them is entirely comfortable with this as it turns out (and, remember, not that long ago he had Lenny spying on Shirley in New York), so they break up. 

Meanwhile, Mr. DeFazio is celebrating the 10th anniversary of the Pizza Bowl.  Shirley and Carmine now need dates to make each other jealous, so Laverne reluctantly agrees to let her new guy find someone for Shirley, but the best he can do is the girls' old classmate Warren, better known by his nickname, yes, "Eraserhead" (Paul Willson in a role he'd reprise four years later).  And later Laverne has to get Carmine and Shirley to make up, which they do, although nothing is resolved except a return to the vague status quo.

Image result for "A Date with Eraserhead"The funniest scene here is Squiggy "comforting" Shirley over the break-up, and he remains convinced (as his little black book suggested last season) that she's pining for him, so he gives her a pity kiss, which revolts her.  He has a date for the party, which he's "sharing" with Lenny, who gets to drive the girl back to Chicago.  And then Lenny swallows the keys (!) so the guys (at what is roughly four in the morning) have the Chicago girl (hereafter referred to as CG) sleep in Laverne & Shirley's room.

And then we get this exchange (I'm paraphrasing a little)--
SQUIGGY: We'd let you bed down with us if you was in a fix.
LENNY: (sort of campily) And we mean it, Babes.

Now think about that.  The boys could've had CG sleep over for a few hours and then put her on the next bus back to Chicago.  She could've "slept with" Squiggy, if she hadn't already, and maybe also the man Squiggy refers to as "my Lenny" when he's angry at Laverne for pushing Lenny down the stairs on an exercise bike.  (Lenny doesn't seem to hold any grudge about it, or show any injuries later.)  But for some reason (ABC censors?), they send her downstairs to impose on their friends.  And, with the CG presumably still in earshot, they make a lewd offer to Laverne and Shirley, except Lenny says it like he's gay, although maybe he was trying for Hollywood playboy or something.  So, yeah, an episode that raises more questions than it answers.

Lynne Marie Stewart, who previously played Barbara and a Wrestling Coach, here is Muriel.  Linda Gillin's role of Denise is very different than Amy Babish earlier in the year.  And I don't know what the name of the actress is, but I swear CG shows up in one of the California episodes, as another of Squiggy's silent dates with a black beehive, maybe the episode where Laverne wants to sing at Cowboy Bill's.  (I've seen the clip on Youtube in recent years.)

"Laverne & Shirley Go to Night School"

Image result for "Laverne & Shirley Go to Night School""Laverne & Shirley Go to Night School"
October 17, 1978
C+

This is saved from a C or lower by two things: the cameo by Hans Conreid (although I wish he had better material than the script by Marc Sotkin) and the heart-to-heart talk with Laverne and her father, where he says that she's just like her mother, only able to learn things she cares about.  However, it was hard for me get past Shirley pressuring Laverne to go to night school to become a medical technician, something that seems to make Laverne even more uncomfortable than candy-striping did.  Note that Laverne thinks Shirley is the smart one because Shirley got "straight C's" in school.

Carmine, Lenny, and Squiggy are all missing, although there's a perfect "Hello" moment when Laverne tells Edna, "You have a lot of filth living in this building."  Co-creator Lowell Ganz didn't direct any other L & S episodes, which is probably just as well.

"The Quiz Show"

Image result for laverne and shirley "The Quiz Show"
"The Quiz Show"
October 10, 1978
B-

This episode, written by Monica Johnson, is another I do somewhat remember from the time, especially Lenny and Squiggy winning a salami through Squiggy's moth knowledge.  Both L & S pairs go on Silly for Dollars, although they don't compete against each other.  (And, yes, the cast was making lots of dollars being silly every week.)  The physical humor is pretty good, although there is something sort of heartbreaking that the girls not only have their stove blow out (in front of their landlady, who should replace it in my opinion), but don't get to win anything except Pastaroni, apparently an inferior knock-off of Ricearoni.  Even Laverne plugging the Pizza Bowl at her father's insistence doesn't work out.  I know we're supposed to root for these plucky working-class gals every week and hope that their dreams come true, but did they have to not even get a decent consolation prize?

Shipping notes are sparse (there's not even really any Fredna, other than her scolding him), but I do have to say that the Carmine-as-forbidden-fruit thing is continuing, with Shirley making Laverne trade seats with her in the studio audience so that he won't accidentally put his arm around Laverne.

Kip Gilman, who at 32 seems a bit young to be hosting a show that Carmine watched as a little kid (when? in the 40s?), played Dr. Sandor the year before.

Angel Face

Once again, I'm reluctantly writing another non-obituary for a star of Laverne & Shirley .  Three times in just over three years is ...